Keith Haring (after) - Untitled 1998





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Keith Haring, Untitled 1998, a large-format offset lithograph from Germany, in excellent condition (A), measuring 65 by 66 cm.
Description from the seller
- Large-format Keith Haring print, Untitled 1998, format 65 x 66 cm, mint condition.
- Artist: Keith Haring
- Title: Untitled 1998
- printed and published by Kunstverlag circa 1980-1990
- stamped on the back, "ARTEDIO Gallery Poster Collection"
- obtained directly from Kunstverlag
- has since been professionally stored in a light-protected Grafiklager
- Technique: Offset color lithography
- Condition: mint, well preserved, perfect condition
- Note: stunning print with vibrant colors
- Overall size: 66 x 67 cm
- Origin: Kunstverlag
- Copyright: Estate of Keith Haring
- Printed in Germany
Keith Haring:
Keith Haring, a defining artist of the 1980s, is known for his iconic, colorful figures and symbols that create a unique bridge between street art and pop art. Haring began his career on the streets and in New York City subway stations, where he drew his characteristic dancing figures and radiant shapes on advertising boards with chalk. These works, which often addressed social and political issues such as AIDS, apartheid, and drug use, established him as a central figure in the art scene of his time.
Haring’s style, characterized by bold, thick lines and recurring motifs like the “Radiant Baby” and the dancing figures, shows clear parallels to the works of Jean-Michel Basquiat, another major figure of the New York Street Art scene. Both artists used the streets as their canvas and brought their art into the public eye in a way that starkly diverged from the traditional gallery and museum world. Haring’s colorful, accessible visual language also echoes the Pop Art movement, particularly the works of Andy Warhol, with whom Haring was close friends. Like Warhol, Haring used simple, recognizable symbols to convey complex themes and appeal to a broad audience.
Another influence on Haring was the graphic and linear quality of comics, which play a central role in his works. This affinity with comic culture links him with artists like Roy Lichtenstein, who also drew on comics as an artistic source, though in an ironic and distanced manner. Haring, by contrast, injected a direct, often activist message into his works, which also connects him with the political works of Barbara Kruger and Jenny Holzer. Both artists used text and image to comment on social and political issues, much as Haring did in his posters and public artworks.
Shipping information:
We roll prints onto sturdy rigid cores, wrap them with corrugated cardboard, and ship them in very sturdy special cartons.
Shipping is trackable with a tracking number.
About us:
We have been active in the art trade for over 20 years and have extensive experience in the professional handling and shipping of artworks.
- No shipping to Canary Islands, Taiwan
Seller's Story
- Large-format Keith Haring print, Untitled 1998, format 65 x 66 cm, mint condition.
- Artist: Keith Haring
- Title: Untitled 1998
- printed and published by Kunstverlag circa 1980-1990
- stamped on the back, "ARTEDIO Gallery Poster Collection"
- obtained directly from Kunstverlag
- has since been professionally stored in a light-protected Grafiklager
- Technique: Offset color lithography
- Condition: mint, well preserved, perfect condition
- Note: stunning print with vibrant colors
- Overall size: 66 x 67 cm
- Origin: Kunstverlag
- Copyright: Estate of Keith Haring
- Printed in Germany
Keith Haring:
Keith Haring, a defining artist of the 1980s, is known for his iconic, colorful figures and symbols that create a unique bridge between street art and pop art. Haring began his career on the streets and in New York City subway stations, where he drew his characteristic dancing figures and radiant shapes on advertising boards with chalk. These works, which often addressed social and political issues such as AIDS, apartheid, and drug use, established him as a central figure in the art scene of his time.
Haring’s style, characterized by bold, thick lines and recurring motifs like the “Radiant Baby” and the dancing figures, shows clear parallels to the works of Jean-Michel Basquiat, another major figure of the New York Street Art scene. Both artists used the streets as their canvas and brought their art into the public eye in a way that starkly diverged from the traditional gallery and museum world. Haring’s colorful, accessible visual language also echoes the Pop Art movement, particularly the works of Andy Warhol, with whom Haring was close friends. Like Warhol, Haring used simple, recognizable symbols to convey complex themes and appeal to a broad audience.
Another influence on Haring was the graphic and linear quality of comics, which play a central role in his works. This affinity with comic culture links him with artists like Roy Lichtenstein, who also drew on comics as an artistic source, though in an ironic and distanced manner. Haring, by contrast, injected a direct, often activist message into his works, which also connects him with the political works of Barbara Kruger and Jenny Holzer. Both artists used text and image to comment on social and political issues, much as Haring did in his posters and public artworks.
Shipping information:
We roll prints onto sturdy rigid cores, wrap them with corrugated cardboard, and ship them in very sturdy special cartons.
Shipping is trackable with a tracking number.
About us:
We have been active in the art trade for over 20 years and have extensive experience in the professional handling and shipping of artworks.
- No shipping to Canary Islands, Taiwan

