Francien Krieg - “Collected Tenderness”






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
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Original AI digital print titled “Collected Tenderness” (2026), hand-signed, 40 × 30 cm, surreal portrait from the Netherlands, sold directly by the artist.
Description from the seller
In these works I play with the boundary between image and object. I make trompe-l’œil wall panels that behave like small cabinets on the wall. Through the form, the shadows, and the open doors, a space arises that does not really exist, yet is tangible. As if you could just step into it.
The work is essentially flat, but I want it to behave like something corporeal. Something that both recoils and comes forward. That does not fully reveal itself.
I place the figures in a protected, framed world. Not shut in, but shielded. For me, that cabinet is a mental space. A place between inside and outside. Between being seen and keeping yourself safe.
Flowers and butterflies do not appear as explanatory symbols, but as quiet companions. They carry something fragile within them. Something temporary. Perhaps they are there simply to invite a more attentive look.
What interests me is that moment when proximity and distance exist at the same time. What feels close sometimes is, precisely, carefully protected.
Seller's Story
In these works I play with the boundary between image and object. I make trompe-l’œil wall panels that behave like small cabinets on the wall. Through the form, the shadows, and the open doors, a space arises that does not really exist, yet is tangible. As if you could just step into it.
The work is essentially flat, but I want it to behave like something corporeal. Something that both recoils and comes forward. That does not fully reveal itself.
I place the figures in a protected, framed world. Not shut in, but shielded. For me, that cabinet is a mental space. A place between inside and outside. Between being seen and keeping yourself safe.
Flowers and butterflies do not appear as explanatory symbols, but as quiet companions. They carry something fragile within them. Something temporary. Perhaps they are there simply to invite a more attentive look.
What interests me is that moment when proximity and distance exist at the same time. What feels close sometimes is, precisely, carefully protected.
