Lídia Vives - Too young for any shit
04
days
09
hours
54
minutes
29
seconds
Starting bid
€ 1
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Selected by Elena Vaninetti
Has over ten years of experience in art, specialising in post-war photography and contemporary art.
Estimate € 450 - € 550
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Description from the seller
Printing and Authenticity
Fine Art print on Hahnemühle Baryta paper with a super glossy finish.
Signed and numbered, with certificate of authenticity.
Shipping
The artwork is shipped in a tube or rigid envelope depending on destination.
Cotton gloves and a signed postcard are included in the package.
ABOUT THE WORK — Too young for any shit
This photograph was created for my birthday and as part of a deliberate contradiction. The phrase written on the cake, Too young for any shit, inverts the usual expression Too old for that shit to question the invisible norms that begin to impose themselves — especially on women — as you cross the thirty threshold.
From a certain age, an unwritten script seems to activate: how we should see ourselves, behave, desire, and what things we should discreetly abandon. Youthful aesthetics, playfulness, sensitivity, softness or fantasy are easily labeled as inappropriate, frivolous, or ridiculous. Meanwhile, maturity is demanded to be serious, restrained, controlled.
Too young for any shit opposes that narrative. The domestic scene — cake, pastel tones, and a sweet appearance — is meticulously constructed to conceal a subtle tension: the fallen cake, the knife, the cat’s stillness, and the protagonist’s gaze suggest a moment of pause rather than a celebration. Beneath the superficial charm lies a silent resistance: the decision not to fit into a prescribed idea of “maturing properly.”
At heart, the work speaks of reclaiming agency over desire and identity. For me, growing up does not mean renouncing certain colors, films, aesthetics, or ways of dressing. On the contrary: the true magic of adulthood is the freedom to finally give myself what I was previously denied. Choosing joy, nostalgia, or tenderness not out of immaturity, but out of conviction.
This image is not about refusing to age; it’s about refusing to age as expected. It proposes that maturity is not a destination but a personal construction where play, contradiction, and pleasure can coexist with the passing of time.
Seller's Story
Lídia Vives is a visual artist and fine art photographer born in Lleida and based in Barcelona. Her work fuses pictorial tradition, symbolic storytelling and contemporary fashion aesthetics, creating images that go beyond visual beauty to reveal hidden layers of meaning.
She is known for hiding secrets in her photographs — enigmatic symbols, subtle narrative details, and recurring elements such as bees. These visual mysteries have become her signature, offering viewers the chance to decode personal and universal themes embedded in each composition.
With influences from Renaissance and Baroque painting, Vives constructs her photographs with meticulous art direction, often integrating custom-made props, mixed media, and self-portraiture. Her imagery balances the timeless and the surreal, evoking a sense of suspended reality.
Her work has been exhibited in museums, galleries, and international art fairs, and featured in publications including Vogue Italia and Esquire. She has collaborated with institutions and brands such as RTVE and Penguin Random House, and her pieces are part of private collections around the world.
Printing and Authenticity
Fine Art print on Hahnemühle Baryta paper with a super glossy finish.
Signed and numbered, with certificate of authenticity.
Shipping
The artwork is shipped in a tube or rigid envelope depending on destination.
Cotton gloves and a signed postcard are included in the package.
ABOUT THE WORK — Too young for any shit
This photograph was created for my birthday and as part of a deliberate contradiction. The phrase written on the cake, Too young for any shit, inverts the usual expression Too old for that shit to question the invisible norms that begin to impose themselves — especially on women — as you cross the thirty threshold.
From a certain age, an unwritten script seems to activate: how we should see ourselves, behave, desire, and what things we should discreetly abandon. Youthful aesthetics, playfulness, sensitivity, softness or fantasy are easily labeled as inappropriate, frivolous, or ridiculous. Meanwhile, maturity is demanded to be serious, restrained, controlled.
Too young for any shit opposes that narrative. The domestic scene — cake, pastel tones, and a sweet appearance — is meticulously constructed to conceal a subtle tension: the fallen cake, the knife, the cat’s stillness, and the protagonist’s gaze suggest a moment of pause rather than a celebration. Beneath the superficial charm lies a silent resistance: the decision not to fit into a prescribed idea of “maturing properly.”
At heart, the work speaks of reclaiming agency over desire and identity. For me, growing up does not mean renouncing certain colors, films, aesthetics, or ways of dressing. On the contrary: the true magic of adulthood is the freedom to finally give myself what I was previously denied. Choosing joy, nostalgia, or tenderness not out of immaturity, but out of conviction.
This image is not about refusing to age; it’s about refusing to age as expected. It proposes that maturity is not a destination but a personal construction where play, contradiction, and pleasure can coexist with the passing of time.
Seller's Story
Lídia Vives is a visual artist and fine art photographer born in Lleida and based in Barcelona. Her work fuses pictorial tradition, symbolic storytelling and contemporary fashion aesthetics, creating images that go beyond visual beauty to reveal hidden layers of meaning.
She is known for hiding secrets in her photographs — enigmatic symbols, subtle narrative details, and recurring elements such as bees. These visual mysteries have become her signature, offering viewers the chance to decode personal and universal themes embedded in each composition.
With influences from Renaissance and Baroque painting, Vives constructs her photographs with meticulous art direction, often integrating custom-made props, mixed media, and self-portraiture. Her imagery balances the timeless and the surreal, evoking a sense of suspended reality.
Her work has been exhibited in museums, galleries, and international art fairs, and featured in publications including Vogue Italia and Esquire. She has collaborated with institutions and brands such as RTVE and Penguin Random House, and her pieces are part of private collections around the world.
Details
Date of print
2026
Artist
Lídia Vives
Sold by
Direct from the artist
Title of artwork
Too young for any shit
Condition
Original State
Technique
Digital print
Height
36 cm
Edition
1/7
Width
45 cm
Signature
Signed
Genre
Portrait
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