PostCubist School (c.1950) - Encounter Between Souls





| €51 | ||
|---|---|---|
| €46 | ||
| €39 | ||
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Encounter Between Souls, oil on panel from Spain, dating to the 1950s with cubist influences of the PostCubist School, 40 × 60 cm, sold with its frame.
Description from the seller
ENCOUNTER — FIGURATIVE COMPOSITION INSPIRED BY CUBISM
Signed: Vilanova (attribution)
Oil on panel
Spanish school — second half of the 20th century
Dimensions: 40 × 60 cm
1. IDENTIFICATION
1.1 Work
Interesting figurative composition executed in oil on panel, representing two faces facing each other in a visual dialogue with strong symbolic charge.
The scene presents a stylized female figure on the left side and a masculine head structured on the right, both constructed through geometric planes and dynamic lines that refer to cubist language.
The work appears signed in the lower right corner, with a handwriting that seems to correspond to “Vilanova,” suggesting a possible relation to Spanish painters active in the second half of the 20th century.
1.2 School and chronology
For its plastic language and formal treatment, the painting can be situated within Spanish neo-figuration influenced by cubism, developed during the 1970s and 1980s.
This period saw numerous reinterpretations of historical cubism, integrating decorative, expressionist, and surrealizing elements.
2. ARTISTIC DESCRIPTION
2.1 Composition
The work presents a horizontal composition in which two faces confront each other in an undefined space.
The female figure appears with her eyes closed, surrounded by a hair structure composed of undulating chromatic lines.
The male face, on the contrary, is built through architectural planes and ornamental elements that recall masks or sculptural structures.
2.2 Painterly treatment
The artist uses a rich and complex palette that combines:
deep greens
earthy reds
luminous yellows
blues and turquoises.
The textures of the background suggest a layered work with glazes and dense pigments that add depth to the composition.
3. HISTORICAL AND STYLISTIC CONTEXT
3.1 Cubist influences
The formal structure of the work shows a clear influence of late Cubism developed from the innovations of artists such as Picasso and Braque.
During the second half of the 20th century many painters reinterpreted this language from a more decorative and symbolic perspective.
3.2 Mediterranean neo-figurative
The combination of geometry, intense color, and visual symbolism is characteristic of contemporary Mediterranean painting, especially among artists linked to the postwar Spanish schools.
4. CONDITION REPORT
4.1 Painting surface
The work presents in generally good condition, preserving the original chromatic intensity.
There are slight signs of aging consistent with its age.
4.2 Support
Executed on panel, which guarantees good structural stability.
5. WARRANTY AND TRANSPARENCY
5.1 Signature
The work shows a visible signature in the lower right corner that seems to correspond to Vilanova.
The photographs are part of the description and allow appreciation of the signature, the painterly texture, and the reverse of the work.
5.2 Packaging
The painting will be carefully packaged using professional art-transport materials.
Shipping will include tracking and insurance.
6. COLLECTING OPPORTUNITY
6.1 Artistic interest
Figurative works influenced by cubism continue to be highly valued in the contemporary art market for their balance between modern tradition and visual expressiveness.
6.2 Decorative piece
With its panoramic format of 40 × 60 cm and its intense color palette, the work has a strong visual presence, ideal for both collecting and interior art design.
Seller's Story
ENCOUNTER — FIGURATIVE COMPOSITION INSPIRED BY CUBISM
Signed: Vilanova (attribution)
Oil on panel
Spanish school — second half of the 20th century
Dimensions: 40 × 60 cm
1. IDENTIFICATION
1.1 Work
Interesting figurative composition executed in oil on panel, representing two faces facing each other in a visual dialogue with strong symbolic charge.
The scene presents a stylized female figure on the left side and a masculine head structured on the right, both constructed through geometric planes and dynamic lines that refer to cubist language.
The work appears signed in the lower right corner, with a handwriting that seems to correspond to “Vilanova,” suggesting a possible relation to Spanish painters active in the second half of the 20th century.
1.2 School and chronology
For its plastic language and formal treatment, the painting can be situated within Spanish neo-figuration influenced by cubism, developed during the 1970s and 1980s.
This period saw numerous reinterpretations of historical cubism, integrating decorative, expressionist, and surrealizing elements.
2. ARTISTIC DESCRIPTION
2.1 Composition
The work presents a horizontal composition in which two faces confront each other in an undefined space.
The female figure appears with her eyes closed, surrounded by a hair structure composed of undulating chromatic lines.
The male face, on the contrary, is built through architectural planes and ornamental elements that recall masks or sculptural structures.
2.2 Painterly treatment
The artist uses a rich and complex palette that combines:
deep greens
earthy reds
luminous yellows
blues and turquoises.
The textures of the background suggest a layered work with glazes and dense pigments that add depth to the composition.
3. HISTORICAL AND STYLISTIC CONTEXT
3.1 Cubist influences
The formal structure of the work shows a clear influence of late Cubism developed from the innovations of artists such as Picasso and Braque.
During the second half of the 20th century many painters reinterpreted this language from a more decorative and symbolic perspective.
3.2 Mediterranean neo-figurative
The combination of geometry, intense color, and visual symbolism is characteristic of contemporary Mediterranean painting, especially among artists linked to the postwar Spanish schools.
4. CONDITION REPORT
4.1 Painting surface
The work presents in generally good condition, preserving the original chromatic intensity.
There are slight signs of aging consistent with its age.
4.2 Support
Executed on panel, which guarantees good structural stability.
5. WARRANTY AND TRANSPARENCY
5.1 Signature
The work shows a visible signature in the lower right corner that seems to correspond to Vilanova.
The photographs are part of the description and allow appreciation of the signature, the painterly texture, and the reverse of the work.
5.2 Packaging
The painting will be carefully packaged using professional art-transport materials.
Shipping will include tracking and insurance.
6. COLLECTING OPPORTUNITY
6.1 Artistic interest
Figurative works influenced by cubism continue to be highly valued in the contemporary art market for their balance between modern tradition and visual expressiveness.
6.2 Decorative piece
With its panoramic format of 40 × 60 cm and its intense color palette, the work has a strong visual presence, ideal for both collecting and interior art design.

