KRAM2 (1981) - MY RICHNESS IS LIFE

MY RICHNESS IS LIFE:

The artist KRAM2 uses this work to critique materialism and to remind us of the importance of life and authentic experiences over material possessions. By painting directly on a symbol of monetary wealth, he twists money’s function to express a deeper truth: life itself is the true wealth.

Hand-painted in only 50 copies.

Each copy in this series will therefore be unique.

Frame included dimensions: 23 cm x 28 cm x 6 cm

Signed by hand

Delivered with the frame + the Kram2Boy Lego + the authenticity sticker

#freshtalent #streetart #graffiti

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An explosive visual and emotional experience

KRAM2’s art hits like a shockwave. Brutal, instinctive and laden with meaning, each piece invites reflection. Hand-painted with care and intention, his creations reflect an intense life journey and visceral creativity — always guided by the desire to shock consciences and inspire change.

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A childhood driven by the urgency to express oneself

Born in the 1980s, at a time when street art was emerging in France, KRAM2 grew up in a world where visual expression was omnipresent.
He discovers early tags, wild murals, the silent cries of the city walls. A visual shock awakens something powerful in him: the need to paint, to transgress, to exist in his own way.

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From instinct to identity

At 13, he begins to write on walls what he cannot say aloud.
Pseudonyms change, styles evolve, but one thing remains: to paint to stand tall.
Even after achieving professional stability, he never lets go of his skateboard or his camera. Art is always there, vigilantly waiting to be reborn.

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The birth of KRAM2

Twenty years later, a meeting upends his trajectory and rekindles the flame. He reconnects with his creative essence.
He is reborn under the name KRAM2 — a tribute to his own first name, and to the person who now shares his life.

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Art of the heart and conscience

KRAM2 paints what he feels, what he sees, what questions him.
His work speaks of identity, childhood, struggle and resilience.
It isn’t decorative: it’s a mirror held up to the world.

Today, his works have traveled to more than 35 countries. From independent galleries to urban walls, they challenge, captivate and move beyond cultures.