Christian Schad (1894-1982) - Beratung





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Christian Schad, Beratung, 1917, woodcut print, portrait, in a limited edition, signed and dated, 58.5 × 41.5 cm (image 16 × 12 cm), origin Germany.
Description from the seller
Christian Schad (1894-1982), Beratung, 1917/around 1975.
Woodcut on firm Velin, 16 x 12 cm on 58.5 x 41.5 cm, titled, numbered (e.a.), signed and dated.
Provenance: Private collection, Berlin, from the estate of Christian Schad's widow.
Condition: Very good. Photos are part of the condition description.
Biography
He was a German painter and graphic artist, known as a significant representative of Neue Sachlichkeit. He studied in Munich, lived in Switzerland and Paris before settling in Berlin. His works are characterized by a precise, almost photo-realistic painting style, through which he critically portrayed the society of the 1920s. He also became famous for his experimental “Schadographien” – early forms of the photogram technique. Schad's art continues to influence modern portrait painting today.
In the 1950s and 1960s, Christian Schad again turned to printmaking, particularly linocuts. During this period he stayed several times in Italy, including Venice, where he drew inspiration from classical art and architecture. His linocuts from this phase often depict mythological and religious motifs and reflect an intensive engagement with traditional print techniques. These works mark a late but significant expansion of his artistic oeuvre.
Christian Schad (1894-1982), Beratung, 1917/around 1975.
Woodcut on firm Velin, 16 x 12 cm on 58.5 x 41.5 cm, titled, numbered (e.a.), signed and dated.
Provenance: Private collection, Berlin, from the estate of Christian Schad's widow.
Condition: Very good. Photos are part of the condition description.
Biography
He was a German painter and graphic artist, known as a significant representative of Neue Sachlichkeit. He studied in Munich, lived in Switzerland and Paris before settling in Berlin. His works are characterized by a precise, almost photo-realistic painting style, through which he critically portrayed the society of the 1920s. He also became famous for his experimental “Schadographien” – early forms of the photogram technique. Schad's art continues to influence modern portrait painting today.
In the 1950s and 1960s, Christian Schad again turned to printmaking, particularly linocuts. During this period he stayed several times in Italy, including Venice, where he drew inspiration from classical art and architecture. His linocuts from this phase often depict mythological and religious motifs and reflect an intensive engagement with traditional print techniques. These works mark a late but significant expansion of his artistic oeuvre.

