Alessandro Alteo (1997) - Monocromo Oro - 602

Mixed media - Hand-signed - 2025
Artist: Alessandro Alteo
Title: Monochrome Gold - 602
Technique: extroflexion on canvas
Year: 2025
Dimensions: 40 x 20
Condition: Perfect

STUNNING PIECE!
YOUNG ARTIST BORN IN 1997

Diptych 20 x 20 cm in warm, tactile tonalities, characterized by essential and refined surfaces. Two raised circular elements create a visual dialogue made of light, shadow, and balance. The works can be arranged vertically, horizontally, or offset, adapting to the space. A minimalist work that expresses harmony, silence, and formal exploration.

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The color may vary from the photos and from your screen.

Original work by Alessandro Alteo, featuring a monochrome Gold surface capable of generating a refined dialogue between light and shadow, matter and space.

The artist’s search draws on the great tradition of Italian extroflexion, inspired by the formal elegance and plastic tension of masters such as Agostino Bonalumi, Enrico Castellani, Paolo Scheggi, Lucio Fontana, Turi Simeti and Giuseppe Amadio, while engaging with the material force of Alberto Burri and the sculptural monumentalism of Arnaldo Pomodoro, up to the monochrome and analytical explorations of Bernard Aubertin and the poetic sensibility of Giorgio Morandi. In this lineage, the painting surface becomes a living, vibrant body, responsive to light and gaze.

Within a modern abstract framework, Alteo builds a personal language that opens to modern and contemporary art, integrating inspirations from Minimalism, Pop Art, and especially Street Art and Graffiti writing. His imagination ideally dialogues with artists and movements ranging from Banksy, Keith Haring, Andy Warhol, Jean-Michel Basquiat, Jeff Koons, Roy Lichtenstein, Damien Hirst, Takashi Murakami, to the urban culture connected to Shepard Fairey (OBEY), JR, Invader, Space Invader, Jef Aérosol, C215, Futura 2000, COPE2, Vhils, D*Face, Os Gemeos, JonOne, Alec Monopoly, Speedy Graphito, Hayden Kays, Kev Munday, Chanoir.

Up to the more contemporary declinations of the international urban and post-graffiti scene, with figures such as Sandra Chevrier, Handiedan, Chuck Sperry, Borondo, PichiAvo, Orticanoodles, Inti, Saner, M-City, Levalet, Cranio, Dan23, DZIA, Hom Nguyen and André Saraiva, Mario Merz, Lucio Fontana.

Parallel to this, his visual sensibility feeds on a pop-luxury and collectible aesthetic, where icons of design, fashion, and contemporary lifestyle—from Hermès, Dior, Chanel, Cartier, Louis Vuitton, Prada, Bulgari to the world of collecting tied to Rolex, Patek Philippe, Audemars Piguet, Daytona, Nautilus, Richard Mille—live alongside references to screen printing, art prints, vinyl, analog photography, cinema, tin toys, and the visual memory of the twentieth century.

There are also cultured references to art history, from Mario Schifano to Joan Miró, from Salvador Dalí to Pierre Soulages, reinforcing the conceptual and visual dimension of the work between abstraction, matter, and light.

Alteo’s distinctive signature lies in the synthesis between geometric rigor and emotional lyricism, where the circle becomes a universal sign, a visual archetype, and a space for contemplation.

This piece thus stands as a bridge between the Italian analytic-extroflessional season and a urban, contemporary sensibility, presenting itself as a work of strong identity, visual impact, and aesthetic recognizability in the panorama of contemporary art.

Archived work on Gigarte, with authentic certification.