Eduardo Chillida (1924-2002) - Untitled, 1964






Specialises in works on paper and (New) School of Paris artists. Former gallery owner.
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Eduardo Chillida. Untitled, 1964.
Eduardo Chillida is one of the major figures of 20th-century European art. Internationally recognized for his exploration of space, matter, and void, his work spans sculpture, drawing, and printmaking, investigating the tensions between form, balance, and architecture. Throughout his career, his visual language evolved toward a radical synthesis in which minimal gestures acquire powerful structural presence.
Sheet dimensions: 36 x 26 cm.
Drawing dimensions: 15 x 17.8 cm (same size as the original drawing).
Total dimensions: 42 x 32 cm.
Limited edition from the Chillida Leku Museum.
Five-ink print on River Artist natural white paper, 120 gr.
Hand-mounted on grey support with three removable points for presentation.
Excellent condition.
In this untitled drawing from 1964, Chillida works with dense black ink masses, constructing the composition through solid gestural blocks that relate to each other as if they were sculptural elements. Unlike his linear drawings, here the artist uses compact opaque forms that create a strong tension between weight and void, anticipating formal solutions later developed in his iron and steel sculptures.
The composition does not represent a specific figure but rather a structure in unstable equilibrium, where each element seems to support the next. This interest in the relationship between gravity, support, and inner space is one of the central themes in Chillida’s work during the 1960s, a period in which his visual language became increasingly radical and architectural.
The contrast between black ink and the light background turns the empty space into an active element of the work, reinforcing one of the fundamental ideas in Chillida’s thinking: space is not a background but the true material of sculpture and drawing. In these works on paper, the artist experiments with formal solutions that would later appear in his monumental pieces, where matter is always organized in dialogue with the surrounding space.
Eduardo Chillida. Untitled, 1964.
Eduardo Chillida is one of the major figures of 20th-century European art. Internationally recognized for his exploration of space, matter, and void, his work spans sculpture, drawing, and printmaking, investigating the tensions between form, balance, and architecture. Throughout his career, his visual language evolved toward a radical synthesis in which minimal gestures acquire powerful structural presence.
Sheet dimensions: 36 x 26 cm.
Drawing dimensions: 15 x 17.8 cm (same size as the original drawing).
Total dimensions: 42 x 32 cm.
Limited edition from the Chillida Leku Museum.
Five-ink print on River Artist natural white paper, 120 gr.
Hand-mounted on grey support with three removable points for presentation.
Excellent condition.
In this untitled drawing from 1964, Chillida works with dense black ink masses, constructing the composition through solid gestural blocks that relate to each other as if they were sculptural elements. Unlike his linear drawings, here the artist uses compact opaque forms that create a strong tension between weight and void, anticipating formal solutions later developed in his iron and steel sculptures.
The composition does not represent a specific figure but rather a structure in unstable equilibrium, where each element seems to support the next. This interest in the relationship between gravity, support, and inner space is one of the central themes in Chillida’s work during the 1960s, a period in which his visual language became increasingly radical and architectural.
The contrast between black ink and the light background turns the empty space into an active element of the work, reinforcing one of the fundamental ideas in Chillida’s thinking: space is not a background but the true material of sculpture and drawing. In these works on paper, the artist experiments with formal solutions that would later appear in his monumental pieces, where matter is always organized in dialogue with the surrounding space.
