Mark Rothko (after) - Maroon on Blue - Offset lithography - VG licensed print - 2004






Eight years experience valuing posters, previously valuer at Balclis, Barcelona.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 132931 reviews
Rated Excellent on Trustpilot.
Description from the seller
Lithography Offset after Mark Rothko (*)
Reproduction of the work “Maroon on Blue” a work created by Rothko in 1957,
Printed on thick Fine Art board 200g
Published by VG Bild-Kunst, Bonn in 2004.
Authorized print with copyright by Kate Rothko-Prizel & Christopher Rothko.
Large Format.
- Sheet dimensions: 80 x 60 cm
- Year: 2004
- Condition: Excellent (this work has never been framed or exhibited, always kept in a professional art folder, and therefore remains in perfect condition).
- Provenance: Private collection.
The work will be carefully handled and packaged in reinforced cardboard packaging. The shipment will be certified with a tracking number.
The shipment will also include transport insurance for the final value of the work with a full refund in case of loss or damage, at no cost to the buyer.
(*) Mark Rothko, together with Pollock, was one of the foremost representatives of American abstraction. With his painting he aimed to achieve an ambitious utopia: to express the most basic universal emotions. And for many he achieved it.
Markus Rothkovitz was born in Russia. From a clearly Jewish family, he emigrated to Oregon in 1910, probably fleeing the antisemitism that caused so many minds to flee.
He studied art in the 1920s, but considered himself self-taught. Before World War II he cultivated expressionist figuration and absorbed the spirit of the vanguards he saw in exhibitions organized by MoMA.
After the war he began to investigate color field painting, gradually abandoning figurative references, and in the 1950s, with abstract expressionism already established, he began the personal abstraction that would define his painting ever since.
Rothko’s paintings, enormous, show broad rectangular fields of color with undefined boundaries between them. They are blurred colors that float suspended on the canvas, stimulating quite interesting mystical sensations.
From then on, Mark Rothko would become an institution of American art. Protected by Peggy Guggenheim, his successes would be notable. But at the end of the 1960s, amid a depressive crisis, and after painting his series of works with black acrylic, he would commit suicide.
Seller's Story
Lithography Offset after Mark Rothko (*)
Reproduction of the work “Maroon on Blue” a work created by Rothko in 1957,
Printed on thick Fine Art board 200g
Published by VG Bild-Kunst, Bonn in 2004.
Authorized print with copyright by Kate Rothko-Prizel & Christopher Rothko.
Large Format.
- Sheet dimensions: 80 x 60 cm
- Year: 2004
- Condition: Excellent (this work has never been framed or exhibited, always kept in a professional art folder, and therefore remains in perfect condition).
- Provenance: Private collection.
The work will be carefully handled and packaged in reinforced cardboard packaging. The shipment will be certified with a tracking number.
The shipment will also include transport insurance for the final value of the work with a full refund in case of loss or damage, at no cost to the buyer.
(*) Mark Rothko, together with Pollock, was one of the foremost representatives of American abstraction. With his painting he aimed to achieve an ambitious utopia: to express the most basic universal emotions. And for many he achieved it.
Markus Rothkovitz was born in Russia. From a clearly Jewish family, he emigrated to Oregon in 1910, probably fleeing the antisemitism that caused so many minds to flee.
He studied art in the 1920s, but considered himself self-taught. Before World War II he cultivated expressionist figuration and absorbed the spirit of the vanguards he saw in exhibitions organized by MoMA.
After the war he began to investigate color field painting, gradually abandoning figurative references, and in the 1950s, with abstract expressionism already established, he began the personal abstraction that would define his painting ever since.
Rothko’s paintings, enormous, show broad rectangular fields of color with undefined boundaries between them. They are blurred colors that float suspended on the canvas, stimulating quite interesting mystical sensations.
From then on, Mark Rothko would become an institution of American art. Protected by Peggy Guggenheim, his successes would be notable. But at the end of the 1960s, amid a depressive crisis, and after painting his series of works with black acrylic, he would commit suicide.
