Veneroso - Genio Ligure - 1650





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Description from the seller
THE AWAKENING OF A REPUBLIC: MYTH, PRIDE, AND PROPAGANDA OF GENOESE GENIUS
The Genoese Genius awakened by Giovanni Bernardo Veneroso is an emblematic work of the political-literary culture of Baroque Genoa, where history, civic myth, and rhetoric fuse to celebrate the Republic’s identity. Published in 1650, at a moment of redefining Italian and European equilibria, the text fits into the tradition of encomiastic works aimed at exalting the virtues, power, and historical continuity of Liguria. The “genius” evoked in the title is not merely metaphor, but a symbolic embodiment of the city’s spirit, awakened to reaffirm the prestige and legitimacy of its history. The typographic apparatus, with engravings and initials, helps to construct a solemn book object destined for an educated and institutional audience.
MARKET VALUE
Genovese editions of the Seventeenth Century with celebratory and historical character present a niche but stable market: complete and well-preserved folio copies can fetch between 500 and 900 euros.
PHYSICAL DESCRIPTION AND CONDITION
Half-leather binding from the XIX century, signs of wear. Frontispiece with a woodcut device, initials in the text. Marginal restorations present on the first four leaves and the last two, with interventions touching the text; some browning and foxing. In old books with a multi-century history, some imperfections may be present, not always noted in the description. Pp. (2); 8nn; 40; 2nn; 204; 28; (2).
FULL TITLE AND AUTHOR
Genio ligure risvegliato.
Genova, Gio. Domenico Peri, 1650.
Veneroso, Giovanni Bernardo.
CONTEXT AND SIGNIFICANCE
In the mid-17th century, the Republic of Genoa develops a strong literary production aimed at consolidating its political and cultural identity. Works like that of Veneroso participate in a strategy of self-representation that blends history, erudition, and encomiastic rhetoric. The text fits within the tradition of the “storie patrie” and civil celebrations, contributing to the construction of an idealized image of Liguria as a space of virtue, wealth, and continuity. Baroque language amplifies this function, transforming historical discourse into a true symbolic device. The volume thus acquires value not only as literature, but also as a political tool of legitimation and collective memory.
BIOGRAPHY OF THE AUTHOR
Giovanni Bernardo Veneroso (fl. XVII century) was a Genoese author and scholar active in Baroque Genoa. His works belong to the realm of encomiastic and historically celebratory literature, with particular attention to valorizing the history and identity of the Republic of Genoa.
PRINTING HISTORY AND CIRCULATION
Printed in Genoa in 1650 by the publisher Peri, the work belongs to the local typographic production destined for an aristocratic and institutional audience. The print runs were generally limited and tied to city circuits, which today contributes to the relative rarity of copies on the market. Surviving copies often show variable conditions, given the nature of use and storage not always systematic.
BIBLIOGRAPHY AND REFERENCES
ICCU/OPAC SBN: records to verify for edition Genoa, Peri, 1650
EDIT16/17: repertoires for Ligurian printing of the XVII century (entry Veneroso)
WorldCat: limited localizations for similar Genoese works
Soprani, Scrittori della Liguria, pp. 210-212 (for context of Ligurian literary culture)
Bitossi, La Repubblica di Genova, pp. 145-160 (historical-political context)
Grendi, Storia di Genova, pp. 180-195
Seller's Story
THE AWAKENING OF A REPUBLIC: MYTH, PRIDE, AND PROPAGANDA OF GENOESE GENIUS
The Genoese Genius awakened by Giovanni Bernardo Veneroso is an emblematic work of the political-literary culture of Baroque Genoa, where history, civic myth, and rhetoric fuse to celebrate the Republic’s identity. Published in 1650, at a moment of redefining Italian and European equilibria, the text fits into the tradition of encomiastic works aimed at exalting the virtues, power, and historical continuity of Liguria. The “genius” evoked in the title is not merely metaphor, but a symbolic embodiment of the city’s spirit, awakened to reaffirm the prestige and legitimacy of its history. The typographic apparatus, with engravings and initials, helps to construct a solemn book object destined for an educated and institutional audience.
MARKET VALUE
Genovese editions of the Seventeenth Century with celebratory and historical character present a niche but stable market: complete and well-preserved folio copies can fetch between 500 and 900 euros.
PHYSICAL DESCRIPTION AND CONDITION
Half-leather binding from the XIX century, signs of wear. Frontispiece with a woodcut device, initials in the text. Marginal restorations present on the first four leaves and the last two, with interventions touching the text; some browning and foxing. In old books with a multi-century history, some imperfections may be present, not always noted in the description. Pp. (2); 8nn; 40; 2nn; 204; 28; (2).
FULL TITLE AND AUTHOR
Genio ligure risvegliato.
Genova, Gio. Domenico Peri, 1650.
Veneroso, Giovanni Bernardo.
CONTEXT AND SIGNIFICANCE
In the mid-17th century, the Republic of Genoa develops a strong literary production aimed at consolidating its political and cultural identity. Works like that of Veneroso participate in a strategy of self-representation that blends history, erudition, and encomiastic rhetoric. The text fits within the tradition of the “storie patrie” and civil celebrations, contributing to the construction of an idealized image of Liguria as a space of virtue, wealth, and continuity. Baroque language amplifies this function, transforming historical discourse into a true symbolic device. The volume thus acquires value not only as literature, but also as a political tool of legitimation and collective memory.
BIOGRAPHY OF THE AUTHOR
Giovanni Bernardo Veneroso (fl. XVII century) was a Genoese author and scholar active in Baroque Genoa. His works belong to the realm of encomiastic and historically celebratory literature, with particular attention to valorizing the history and identity of the Republic of Genoa.
PRINTING HISTORY AND CIRCULATION
Printed in Genoa in 1650 by the publisher Peri, the work belongs to the local typographic production destined for an aristocratic and institutional audience. The print runs were generally limited and tied to city circuits, which today contributes to the relative rarity of copies on the market. Surviving copies often show variable conditions, given the nature of use and storage not always systematic.
BIBLIOGRAPHY AND REFERENCES
ICCU/OPAC SBN: records to verify for edition Genoa, Peri, 1650
EDIT16/17: repertoires for Ligurian printing of the XVII century (entry Veneroso)
WorldCat: limited localizations for similar Genoese works
Soprani, Scrittori della Liguria, pp. 210-212 (for context of Ligurian literary culture)
Bitossi, La Repubblica di Genova, pp. 145-160 (historical-political context)
Grendi, Storia di Genova, pp. 180-195
