École espagnole (XX) - Face au taureau





| €65 | ||
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| €60 | ||
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Face au taureau, an oil on canvas painting attributed to the Spanish School (XX century), in a posimpressionist style, dated 1980–1990, measuring 38 cm by 46 cm, from Spain, original edition, signed, in good condition, offered without a frame.
Description from the seller
Interesting taurine composition done in oil on canvas, attributed to the Spanish school of the 20th century, in which a moment of great dynamism in full bullfighting is depicted, with the bull in the foreground and a female figure with her back turned, wrapped in a wide yellow cape, while in the background the presence of the matador and the stands can be distinguished.
The work stands out for its vibrant and synthetic character, resolved through a loose, impasto brushwork with a clear expressive intention. The artist concentrates visual force in the contrast between the dark mass of the bull and the large yellow surface of the cape, which structures the composition and provides a notable chromatic impact. The scene conveys movement, tension and theatricality, essential elements of the taurine imaginary within contemporary Spanish painting.
The treatment of the arena and the audience is solved with an effective economy of means, reinforcing the sense of immediacy and capturing the moment. The broad brushstroke and formal simplification place the work in a modern figurative line, closely linked to the plastic reinterpretation of the bullfighting festival developed in Spain throughout the 20th century.
The painting presents a notable decorative presence and a theme of strong cultural identity, especially attractive to collectors of contemporary Spanish art and of bullfighting iconography.
The work is offered without a frame.
The images are part of the description.
Seller's Story
Interesting taurine composition done in oil on canvas, attributed to the Spanish school of the 20th century, in which a moment of great dynamism in full bullfighting is depicted, with the bull in the foreground and a female figure with her back turned, wrapped in a wide yellow cape, while in the background the presence of the matador and the stands can be distinguished.
The work stands out for its vibrant and synthetic character, resolved through a loose, impasto brushwork with a clear expressive intention. The artist concentrates visual force in the contrast between the dark mass of the bull and the large yellow surface of the cape, which structures the composition and provides a notable chromatic impact. The scene conveys movement, tension and theatricality, essential elements of the taurine imaginary within contemporary Spanish painting.
The treatment of the arena and the audience is solved with an effective economy of means, reinforcing the sense of immediacy and capturing the moment. The broad brushstroke and formal simplification place the work in a modern figurative line, closely linked to the plastic reinterpretation of the bullfighting festival developed in Spain throughout the 20th century.
The painting presents a notable decorative presence and a theme of strong cultural identity, especially attractive to collectors of contemporary Spanish art and of bullfighting iconography.
The work is offered without a frame.
The images are part of the description.

