T. FANJUL - THE PUREBRED





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T. Fanjul presents an original mixed‑media artwork titled The Purebred (2019) on a prepared panel, depicting animals, signed by hand, in excellent condition, measuring 46 × 55 cm, Spain origin, sold directly by the artist with a certificate of authenticity.
Description from the seller
Title: "The Purebred"/ The Purebred
Description of the work:
This is an original work by T. Fanjul, executed in mixed media (oil, acrylic, and ink) on a primed panel. This piece combines the richness of oil, the versatility of acrylic, and the precision of ink to create a dynamic composition filled with textures.
This exquisite piece is a tribute to the elegance and strength of the horse, captured in a moment of introspection and serenity. The work stands out for its sophisticated color palette in earth tones, umbers, and ochres, enriched with subtle accents of metallic pigments that bring exceptional luminosity.
T. Fanjul demonstrates a masterful command of drawing through the use of ink, defining with anatomical precision the neck muscles and the deep expression of the eye. The viewing angle in a slight three-quarter turn of the horse, looking back over its withers, creates a sense of slow movement and depth. The meticulous representation of the tack or gala bridle, detailed with geometric patterns, is noteworthy.
The combination of oil and acrylic allows for a unique interplay of textures: from soft glazing in the coat to gestural and abstract brushstrokes in the background. The use of subtle geometric patterns adds a layer of modernity and design to the piece.
Technical Sheet:
• Artist: T. Fanjul (signed in the lower right corner).
• Title: The Purebred.
• Technique: Mixed media painted by hand (oil, acrylic, and ink).
• Support: Primed panel (provides the stability of a panel with the grain and feel of a canvas).
• Condition: Excellent condition.
• Certificate: Its authenticity is guaranteed by a certificate.
Shipping and Packaging:
Shipping will be done with reinforced packaging, ensuring that the artwork arrives in perfect condition anywhere in the world.
Delivery time will depend on the destination, with a maximum lead time of up to 10 business days.
Title: "The Purebred"/ The Purebred
Description of the work:
This is an original work by T. Fanjul, executed in mixed media (oil, acrylic, and ink) on a primed panel. This piece combines the richness of oil, the versatility of acrylic, and the precision of ink to create a dynamic composition filled with textures.
This exquisite piece is a tribute to the elegance and strength of the horse, captured in a moment of introspection and serenity. The work stands out for its sophisticated color palette in earth tones, umbers, and ochres, enriched with subtle accents of metallic pigments that bring exceptional luminosity.
T. Fanjul demonstrates a masterful command of drawing through the use of ink, defining with anatomical precision the neck muscles and the deep expression of the eye. The viewing angle in a slight three-quarter turn of the horse, looking back over its withers, creates a sense of slow movement and depth. The meticulous representation of the tack or gala bridle, detailed with geometric patterns, is noteworthy.
The combination of oil and acrylic allows for a unique interplay of textures: from soft glazing in the coat to gestural and abstract brushstrokes in the background. The use of subtle geometric patterns adds a layer of modernity and design to the piece.
Technical Sheet:
• Artist: T. Fanjul (signed in the lower right corner).
• Title: The Purebred.
• Technique: Mixed media painted by hand (oil, acrylic, and ink).
• Support: Primed panel (provides the stability of a panel with the grain and feel of a canvas).
• Condition: Excellent condition.
• Certificate: Its authenticity is guaranteed by a certificate.
Shipping and Packaging:
Shipping will be done with reinforced packaging, ensuring that the artwork arrives in perfect condition anywhere in the world.
Delivery time will depend on the destination, with a maximum lead time of up to 10 business days.

