Adeline Dupuy - Forêt tropicale 1





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Adeline Dupuy, Forêt tropicale 1, an original acrylic painting on canvas in 104 by 73 cm, signed by hand, ready to hang, with a certificate of authenticity, created in France in a contemporary style.
Description from the seller
Acrylic on canvas
Ready to hang
The edges of the canvas are the continuation of the motif
The painting is signed and hand-dated on the back
Certificate of authenticity
Shipped well protected
Adeline began painting courses in 2011 in Australia, inspired by the colors and layering she found in street art that is so present in Melbourne streets.
Returning to France, a trained geologist, color remains a through-line in her life as it often reveals the history of the landscape.
It was in 2022 that she began training at the School of Fine Arts of Bordeaux, and working with color and large formats gave her painting another dimension.
Her approach is to work with acrylics by layering glazes, a very diluted layer of color to reveal transparency, depth, lightness, evanescence, and vulnerability attributed to the subject.
What interests her is semi-figuration where the subject remains identifiable but the rest is suggested, leaving room for the viewer’s projection and imagination. It is precisely when the painting escapes us that the invisible gleams.
Acrylic on canvas
Ready to hang
The edges of the canvas are the continuation of the motif
The painting is signed and hand-dated on the back
Certificate of authenticity
Shipped well protected
Adeline began painting courses in 2011 in Australia, inspired by the colors and layering she found in street art that is so present in Melbourne streets.
Returning to France, a trained geologist, color remains a through-line in her life as it often reveals the history of the landscape.
It was in 2022 that she began training at the School of Fine Arts of Bordeaux, and working with color and large formats gave her painting another dimension.
Her approach is to work with acrylics by layering glazes, a very diluted layer of color to reveal transparency, depth, lightness, evanescence, and vulnerability attributed to the subject.
What interests her is semi-figuration where the subject remains identifiable but the rest is suggested, leaving room for the viewer’s projection and imagination. It is precisely when the painting escapes us that the invisible gleams.

