Adeline Dupuy - Forêt tropicale 2






Over 10 years' experience in art trade and previously founded his own gallery.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 131773 reviews
Rated Excellent on Trustpilot.
Adeline Dupuy presents Forêt tropicale 2, an original 2020s contemporary acrylic painting on canvas (104 cm x 73 cm, 2 kg) from France, signed by hand with back dating, ready to hang and accompanied by a certificate of authenticity, in excellent condition.
Description from the seller
Acrylic on canvas
Ready to hang
The edges of the canvas are the continuation of the motif
The canvas is hand-signed and dated on the back
Certificate of authenticity
Shipped well protected
Adeline began painting classes in 2011 in Australia, inspired by the colors and layering she finds in street art, very present in the streets of Melbourne.
Back in France, trained as a geologist, color remains a throughline in her life as it often reveals the history of the landscape.
In 2022 she began training at the École des Beaux-Arts de Bordeaux, and working with color and large formats gives another dimension to her painting.
Her approach is to work with acrylic by layering glazes, a very diluted layer of color to allow transparency, depth, lightness, evanescence, and the vulnerability attributed to the subject to appear.
What interests her is semi-figuration where the subject remains identifiable but the rest is implied, leaving room for the viewer’s projection and imagination.
It is precisely when the painting escapes us that the invisible shines through.
Acrylic on canvas
Ready to hang
The edges of the canvas are the continuation of the motif
The canvas is hand-signed and dated on the back
Certificate of authenticity
Shipped well protected
Adeline began painting classes in 2011 in Australia, inspired by the colors and layering she finds in street art, very present in the streets of Melbourne.
Back in France, trained as a geologist, color remains a throughline in her life as it often reveals the history of the landscape.
In 2022 she began training at the École des Beaux-Arts de Bordeaux, and working with color and large formats gives another dimension to her painting.
Her approach is to work with acrylic by layering glazes, a very diluted layer of color to allow transparency, depth, lightness, evanescence, and the vulnerability attributed to the subject to appear.
What interests her is semi-figuration where the subject remains identifiable but the rest is implied, leaving room for the viewer’s projection and imagination.
It is precisely when the painting escapes us that the invisible shines through.
