Alfredo Pini (1958) - My Sax





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Alfredo Pini’s original 2007 oil-on-paper artwork titled My Sax, measuring 70 by 50 cm, is signed by hand, created on paper mounted to cardboard, in a modern style with a pop culture theme and Italian origin.
Description from the seller
Alfredo Pini
"My Sax" - Oil on paper mounted on cardboard
cm 70x50 - 2007
Signed
Artist's certificate of authenticity on photograph
Gallery certificate of authenticity
Artist catalog included as a gift
Professional shipping and packaging
Invoice issued by Galieria
Alfredo Pini (Mirandola, 1958) began his exhibition activity in 1985, developing over the years a personal and recognizable painterly language. His research initially focused on urban views: cities walked at dawn or at dusk, wrapped in thin fog and crossed by trams, cars or by the affectionate and recurring presence of the Vespa. These are scenes that convey suspended, cold and silent atmospheres, where light filters through like a veil and memory intertwines with perception.
Alongside the metropolitan landscape, Pini progressively introduces new themes and visual registers. In recent years his attention has also turned to the human figure: women, children, presences captured in their daily life or in their rapid passage, which accompany the architectures as emotional reference points. It is not a sudden turning point, but a natural evolution of his research, an expansion of his gaze that allows him to traverse reality in different ways, maintaining coherence of style and sensitivity.
His painting is characterized by the oscillation between definition and blur, by the use of lights that slide over surfaces like thoughts in motion, and by a palette that alternates cold tones with warmer atmospheres, often linked to interiors, night venues, and music. Each work appears as a stage of a personal journey, a way to explore the balances – and imbalances – of contemporary life, from urban dynamism to the need for quiet.
Throughout his career Pini has participated in numerous collective and solo exhibitions, consolidating a production that remains faithful to its identity, while opening up to new narrative and formal directions. Today his work continues to investigate the relationship between places, people and states of mind, inviting the viewer to embark on a journey that is at once geographic and interior.
Alfredo Pini
"My Sax" - Oil on paper mounted on cardboard
cm 70x50 - 2007
Signed
Artist's certificate of authenticity on photograph
Gallery certificate of authenticity
Artist catalog included as a gift
Professional shipping and packaging
Invoice issued by Galieria
Alfredo Pini (Mirandola, 1958) began his exhibition activity in 1985, developing over the years a personal and recognizable painterly language. His research initially focused on urban views: cities walked at dawn or at dusk, wrapped in thin fog and crossed by trams, cars or by the affectionate and recurring presence of the Vespa. These are scenes that convey suspended, cold and silent atmospheres, where light filters through like a veil and memory intertwines with perception.
Alongside the metropolitan landscape, Pini progressively introduces new themes and visual registers. In recent years his attention has also turned to the human figure: women, children, presences captured in their daily life or in their rapid passage, which accompany the architectures as emotional reference points. It is not a sudden turning point, but a natural evolution of his research, an expansion of his gaze that allows him to traverse reality in different ways, maintaining coherence of style and sensitivity.
His painting is characterized by the oscillation between definition and blur, by the use of lights that slide over surfaces like thoughts in motion, and by a palette that alternates cold tones with warmer atmospheres, often linked to interiors, night venues, and music. Each work appears as a stage of a personal journey, a way to explore the balances – and imbalances – of contemporary life, from urban dynamism to the need for quiet.
Throughout his career Pini has participated in numerous collective and solo exhibitions, consolidating a production that remains faithful to its identity, while opening up to new narrative and formal directions. Today his work continues to investigate the relationship between places, people and states of mind, inviting the viewer to embark on a journey that is at once geographic and interior.

