EMIR BERCUTTE - E=MC2 - Toile L






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
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Emir Bercutte presents the limited edition 1/10 titled E=MC2 - Toile L, a 2024 mixed-media AI artwork on canvas, 80 × 80 cm, mounted on a wooden frame, signed by hand and produced in France by Galerie.
Description from the seller
Magnificent street art piece in the style of the greatest street artist Banksy
On each photo in the collection, there is a message on the wall like graffiti
This work is the fruit of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney.
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity as well as the label signed by the artist to be affixed to the back of the painting are sent separately by mail for security reasons.
The artwork is shipped directly by our German partner laboratory for reasons of print quality.
Who is the artist
EMIR BERCUTTE born in 1968 in Paris, Emir Bercutte developed very early a sensitivity to urban landscapes and the forms of expression that cross them. After a long career outside the institutional artistic field, he fully commits to creation from 2010.
Passionate about street art, which he regards as the most direct and vibrant form of contemporary visual writing, he begins by roaming the cities of the world to document their walls. His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between the street, architecture, and images. He photographs both big capitals and more peripheral territories, building over the years a vast visual archive of world street art.
In 2023, Emir Bercutte begins a new turning point by integrating artificial intelligence into his practice. He does not approach it as a disruptive tool, but as an extension of his gaze as a photographer and lover of street art. From his own images and references from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte's work sits at the border between photography and algorithmic creation, offering a new way of thinking about street art in the age of artificial intelligence.
Magnificent street art piece in the style of the greatest street artist Banksy
On each photo in the collection, there is a message on the wall like graffiti
This work is the fruit of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney.
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity as well as the label signed by the artist to be affixed to the back of the painting are sent separately by mail for security reasons.
The artwork is shipped directly by our German partner laboratory for reasons of print quality.
Who is the artist
EMIR BERCUTTE born in 1968 in Paris, Emir Bercutte developed very early a sensitivity to urban landscapes and the forms of expression that cross them. After a long career outside the institutional artistic field, he fully commits to creation from 2010.
Passionate about street art, which he regards as the most direct and vibrant form of contemporary visual writing, he begins by roaming the cities of the world to document their walls. His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between the street, architecture, and images. He photographs both big capitals and more peripheral territories, building over the years a vast visual archive of world street art.
In 2023, Emir Bercutte begins a new turning point by integrating artificial intelligence into his practice. He does not approach it as a disruptive tool, but as an extension of his gaze as a photographer and lover of street art. From his own images and references from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte's work sits at the border between photography and algorithmic creation, offering a new way of thinking about street art in the age of artificial intelligence.
