Jackson Pollock (after) - "Nummer 32" - nach Original von 1950






Eight years experience valuing posters, previously valuer at Balclis, Barcelona.
€22 | ||
|---|---|---|
€17 | ||
€12 | ||
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 132173 reviews
Rated Excellent on Trustpilot.
Description from the seller
Reproduction of the work "Number 32", created in 1950 by Jackson Pollock
Original, oil color on canvas, 269 x 457.5 cm
Copyright: Bild Kunst/Bonn
Artist: Jackson Pollock* (born January 28, 1912 in Cody, USA; died August 11, 1956 in New York, United States)
Print technique: four-color offset lithography
Print medium: very heavy paper
Original artwork: in the KUNSTSAMMLUNG NRW - Düsseldorf
Page dimensions: 70.0 x 90.0 cm
Motif dimensions: 45.5 x 77.0 cm
Publisher: Achenbach Art Edition - Düsseldorf 1990
Condition: very good
The artwork has been carefully stored in a graphics cabinet, protected from dust and UV light. Therefore in excellent condition. This four-color offset lithograph has of course not been framed yet.
Shipping is carried out very carefully packed in absolutely professional packaging with maximum protection against any damage. The package is additionally insured against damage and loss at no cost to the buyer.
(*) Paul Jackson Pollock (* January 28, 1912 in Cody, Wyoming; died August 11, 1956 in East Hampton, New York) the founder and master of Action Painting, undoubtedly counts among the most important artists of the postwar period. From 1925 to 1929 he attended the Manual Arts School in Los Angeles. In 1930 he moved to New York and studied painting at the Art Students League with Thomas Hart Benton. In the 1930s he engaged with the Mexican muralists José Clemente Orozco and Diego Rivera. From 1938 to 1942 he painted murals for the Federal Art Project of the Works Progress Administration. In 1942 he took part in the International Surrealist Exhibition. He maintained contact with artists such as Willem de Kooning and Robert Motherwell in addition to the New York School of Surrealists. In 1943 Pollock had his first solo exhibition at Peggy Guggenheim's Art of This Century gallery. Soon afterwards his “Drip Paintings” emerged, in which Pollock poured, flung, or dripped paint onto canvases. Numerous national and European solo and group exhibitions followed. He became a central figure of Abstract Expressionism. Pollock wrestled with his alcoholism throughout his life, underwent therapy several times. He died in 1956 in a traffic accident in East Hampton.
Works by Jackson Pollock, one of the most important artists of the last century, can be found worldwide in numerous renowned museums such as the Art Institute of Chicago, the British Museum in London and the Tate Gallery, the Centre Pompidou in Paris, the Museum Folkwang in Essen, the National Museum of Western Art in Tokyo, or the Tel Aviv Museum of Art.
About the artwork:
“Number 32, 1950” ranks among the most radical visual discoveries not only in Jackson Pollock’s oeuvre but in American Abstract Expressionist art as a whole. It stands as a paradigm for the dissolution of the New York School from European art history and for the articulation of a new American self-confidence in postwar art. “Number 32, 1950” represents a culmination and intensification of his art since the end of 1947.
Reproduction of the work "Number 32", created in 1950 by Jackson Pollock
Original, oil color on canvas, 269 x 457.5 cm
Copyright: Bild Kunst/Bonn
Artist: Jackson Pollock* (born January 28, 1912 in Cody, USA; died August 11, 1956 in New York, United States)
Print technique: four-color offset lithography
Print medium: very heavy paper
Original artwork: in the KUNSTSAMMLUNG NRW - Düsseldorf
Page dimensions: 70.0 x 90.0 cm
Motif dimensions: 45.5 x 77.0 cm
Publisher: Achenbach Art Edition - Düsseldorf 1990
Condition: very good
The artwork has been carefully stored in a graphics cabinet, protected from dust and UV light. Therefore in excellent condition. This four-color offset lithograph has of course not been framed yet.
Shipping is carried out very carefully packed in absolutely professional packaging with maximum protection against any damage. The package is additionally insured against damage and loss at no cost to the buyer.
(*) Paul Jackson Pollock (* January 28, 1912 in Cody, Wyoming; died August 11, 1956 in East Hampton, New York) the founder and master of Action Painting, undoubtedly counts among the most important artists of the postwar period. From 1925 to 1929 he attended the Manual Arts School in Los Angeles. In 1930 he moved to New York and studied painting at the Art Students League with Thomas Hart Benton. In the 1930s he engaged with the Mexican muralists José Clemente Orozco and Diego Rivera. From 1938 to 1942 he painted murals for the Federal Art Project of the Works Progress Administration. In 1942 he took part in the International Surrealist Exhibition. He maintained contact with artists such as Willem de Kooning and Robert Motherwell in addition to the New York School of Surrealists. In 1943 Pollock had his first solo exhibition at Peggy Guggenheim's Art of This Century gallery. Soon afterwards his “Drip Paintings” emerged, in which Pollock poured, flung, or dripped paint onto canvases. Numerous national and European solo and group exhibitions followed. He became a central figure of Abstract Expressionism. Pollock wrestled with his alcoholism throughout his life, underwent therapy several times. He died in 1956 in a traffic accident in East Hampton.
Works by Jackson Pollock, one of the most important artists of the last century, can be found worldwide in numerous renowned museums such as the Art Institute of Chicago, the British Museum in London and the Tate Gallery, the Centre Pompidou in Paris, the Museum Folkwang in Essen, the National Museum of Western Art in Tokyo, or the Tel Aviv Museum of Art.
About the artwork:
“Number 32, 1950” ranks among the most radical visual discoveries not only in Jackson Pollock’s oeuvre but in American Abstract Expressionist art as a whole. It stands as a paradigm for the dissolution of the New York School from European art history and for the articulation of a new American self-confidence in postwar art. “Number 32, 1950” represents a culmination and intensification of his art since the end of 1947.
