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The timeless beauty of Old Masters and Modern Art, brought to you by {name}

Giulia Santoro

In The Rider and the Turtle, Antonio Sciacca presents a sculptural composition that draws upon classical mythology and allegorical tradition. A gilded male figure, rendered with the solidity of bronze, is poised atop a turtle, guiding it forward with reins. The scene is staged upon a pedestal draped in deep red fabric, reinforcing the sense of an object removed from time and placed within a contemplative setting.

The work evokes the visual language of antiquity, where human and animal forms are often bound within symbolic narratives. The turtle, traditionally associated with endurance, slowness, and the passage of time, stands in contrast to the dynamic posture of the rider. This juxtaposition introduces a quiet tension between movement and restraint, control and inevitability.

Sciacca’s treatment of surface is central to the composition. The metallic sheen of the figure contrasts with the textured shell of the turtle, while the red drapery beneath introduces warmth and depth. As in much of his work, the painting resists direct narrative, instead offering an allegorical image in which meaning unfolds through balance and opposition. The result is a contemplative still life that bridges classical reference and contemporary interpretation.

Artist Bio:
Antonio Sciacca (b. 1970, Sicily) is a distinguished Italian painter celebrated for his refined fusion of classical technique and contemporary sensibility. His work reflects a deep reverence for Renaissance and Neoclassical traditions, reinterpreted through an intimate and modern lens. Sciacca’s portraits are known for their quiet strength, psychological depth, and technical precision, often incorporating mythological or historical motifs as meditations on continuity and beauty. Exhibited internationally, his paintings stand as a testament to the enduring dialogue between art, humanity, and time.

Oil painting, Mixed technique - Hand signed - 2006

Antonio Sciacca (1957) - The Rider and the Turtle

Classical Art & Impressionism

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Tuesday

18 August

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16 August

tomorrow

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Period

19th century

2020+

1970-1980

1950-1960

1930-1940

1920-1930

1960-1970

18th century

1940-1950

1900-1910

1980-1990

1910-1920

17th century

1990-2000

2010-2020

2000-2010

16th century

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Size

M (40–80 cm)

S (under 40 cm)

L (80–120 cm)

XL (120–160 cm)

XXL (over 160 cm)

Country of origin

Italy

France

Spain

Europe

Netherlands

Germany

Belgium

Austria

United Kingdom

Ukraine

Unknown

Poland

Sweden

Switzerland

Hungary

Peru

Croatia

Russia

Canada

Greece

Morocco

Czechia

Georgia

Indonesia

Romania

Signature

Hand signed

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Signed

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Location

The Netherlands

Norway

Andorra

Denmark

Ireland

Portugal

Czech Republic

Israel

Luxembourg

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Object

Painting

Drawing

Print

Giclée

Artwork

Altarpiece

Style

Classical

Impressionism

Realism

Baroque

Folk Art

Contemporary

Post-Impressionism

Expressionism

Romanticism

Modern

Neo-Impressionism

Cubism

Surrealism

Renaissance

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Subject

Portrait

Landscape

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Still life

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Animals

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Condition

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Good condition - used with small signs of aging & blemishes

Technique

Oil painting

Mixed media

Acrylic painting

Watercolour painting

Charcoal

Pastel

Gouache

Tempera

3D print

Pencil drawing

Mixed technique

Crayon

Marouflage

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Artist

Italian school (XX)

Italian school (XIX)

Antonio Sciacca (1957)

European school (XX)

Italian school (XVIII)

French school (XX)

European school (XIX)

French school (XIX)

Italian school (XVII)

Hrasarkos (1975)

Christof Vevers (1962)

Spanish school (XX)

European school (XVIII)

Alexander Nakonechnyi (XX-XXI)

German school (XX)

Dutch school (XX)

Classical Art & Impressionism

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