Patrícia Trindade - Red Short 2





€105 | ||
|---|---|---|
€95 | ||
€90 | ||
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 132408 reviews
Rated Excellent on Trustpilot.
Patrícia Trindade, 'Red Short 2', oil painting on 1 cm MDF board, 23.7 × 29.8 cm, hand-signed and dated in the lower left corner, 2025, original edition, in excellent condition, Portugal, sold directly by the artist.
Description from the seller
"Red Short 2", oil on MDF, 23.7 x 29.8 cm, 2025
Oil painting on 1 cm-thick MDF board.
Signed and dated in the lower left corner.
Support prepared on all sides.
Painting with varnish (removable).
*IMPORTANT: Due to restrictions imposed by Portuguese carriers and shipping limitations beyond my control, orders will not be shipped to the United States.
Patrícia Trindade (1989) is a Portuguese artist with a degree in Fine Arts and a Master’s in Painting, both from the Faculty of Fine Arts of the University of Porto. Although she has devoted over the years to several painting series with various themes, the male figure has become the central element of her work. This has served as the starting point for various approaches and narratives—from the objectification of the body, to eroticism, to homosexuality and voyeurism—that challenge the usual representations of virility and the passivity of gender in iconographic representations.
"Red Short 2", oil on MDF, 23.7 x 29.8 cm, 2025
Oil painting on 1 cm-thick MDF board.
Signed and dated in the lower left corner.
Support prepared on all sides.
Painting with varnish (removable).
*IMPORTANT: Due to restrictions imposed by Portuguese carriers and shipping limitations beyond my control, orders will not be shipped to the United States.
Patrícia Trindade (1989) is a Portuguese artist with a degree in Fine Arts and a Master’s in Painting, both from the Faculty of Fine Arts of the University of Porto. Although she has devoted over the years to several painting series with various themes, the male figure has become the central element of her work. This has served as the starting point for various approaches and narratives—from the objectification of the body, to eroticism, to homosexuality and voyeurism—that challenge the usual representations of virility and the passivity of gender in iconographic representations.

