Mark Rothko (after) - Maroon on Blue - Offset lithography - VG licensed print - 2004





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Description from the seller
Offset Lithograph after Mark Rothko (*)
Reproduction of the work “Maroon on Blue” created by Rothko in 1957,
edited on thick Fine Art 200g card stock
Published by VG Bild-Kunst, Bonn in 2004.
Authorized printing with copyright by Kate Rothko-Prizel & Christopher Rothko.
Large format.
- Paper size: 80 x 60 cm
- Year: 2004
- Condition: Excellent (this work has never been framed or exhibited, always kept in a professional art folder, thus in perfect condition).
- Provenance: Private collection.
The work will be carefully handled and packed in reinforced cardboard packaging. Shipping will be traceable with a tracking number.
The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.
(*) Mark Rothko, along with Pollock, was one of the leading figures of American abstraction. With his painting he sought to achieve an ambitious utopia: to express the most basic universal emotions. And for many he achieved it.
Mark Rothko was born Markus Rothkovitz in Russia. From an evidently Jewish family, he emigrated to Oregon in 1910, probably fleeing the antisemitism that drove many minds away.
He studied art in the 1920s but considered himself self-taught. Before World War II he cultivated Expressionist figuration and soaked up the spirit of the vanguards he saw in exhibitions organized by the MoMA.
After the war he began to investigate color field painting, gradually abandoning figurative references, and in the 1950s, with Abstract Expressionism already established, he began the personal abstraction that would define his painting ever since.
Rothko’s paintings, enormous in size, show wide rectangular fields of color with undefined boundaries between them. They are blurry colors, floating suspended on the canvas, stimulating quite interesting mystical sensations.
From there, Mark Rothko would become an institution of American art. Protected by Peggy Guggenheim, his successes would be notable. But in the late 1960s, amid a depressive crisis, and after painting his series of works with black acrylic, he would take his own life.
Seller's Story
Offset Lithograph after Mark Rothko (*)
Reproduction of the work “Maroon on Blue” created by Rothko in 1957,
edited on thick Fine Art 200g card stock
Published by VG Bild-Kunst, Bonn in 2004.
Authorized printing with copyright by Kate Rothko-Prizel & Christopher Rothko.
Large format.
- Paper size: 80 x 60 cm
- Year: 2004
- Condition: Excellent (this work has never been framed or exhibited, always kept in a professional art folder, thus in perfect condition).
- Provenance: Private collection.
The work will be carefully handled and packed in reinforced cardboard packaging. Shipping will be traceable with a tracking number.
The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.
(*) Mark Rothko, along with Pollock, was one of the leading figures of American abstraction. With his painting he sought to achieve an ambitious utopia: to express the most basic universal emotions. And for many he achieved it.
Mark Rothko was born Markus Rothkovitz in Russia. From an evidently Jewish family, he emigrated to Oregon in 1910, probably fleeing the antisemitism that drove many minds away.
He studied art in the 1920s but considered himself self-taught. Before World War II he cultivated Expressionist figuration and soaked up the spirit of the vanguards he saw in exhibitions organized by the MoMA.
After the war he began to investigate color field painting, gradually abandoning figurative references, and in the 1950s, with Abstract Expressionism already established, he began the personal abstraction that would define his painting ever since.
Rothko’s paintings, enormous in size, show wide rectangular fields of color with undefined boundaries between them. They are blurry colors, floating suspended on the canvas, stimulating quite interesting mystical sensations.
From there, Mark Rothko would become an institution of American art. Protected by Peggy Guggenheim, his successes would be notable. But in the late 1960s, amid a depressive crisis, and after painting his series of works with black acrylic, he would take his own life.
