An G - Spring- XXL





€200 | ||
|---|---|---|
€120 | ||
€55 | ||
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 132444 reviews
Rated Excellent on Trustpilot.
Spring- XXL is an original, hand-signed acrylic painting by An G, created in 2026, in excellent condition, measuring 215 × 120 cm, with a certificate of authenticity and shipped rolled from Bulgaria in a protective tube.
Description from the seller
Spring is a state of matter in which light begins to remember itself.
Within the cracks of time, where forms hesitate whether to remain or to dissolve. Colors are released — like thoughts that have finally ceased to fear their own softness.
It is that moment in which chaos is a promise, where decay and creation share the same surface without contradicting each other.
There is only unfolding — slow, almost imperceptible, yet irreversible. A внутренен gesture of the world choosing, once again, to be.
This large statement artwork is suitable for contemporary interiors, galleries, or private collections.
An G is the abstract line of An Gogh, in which the artist explores gesture, structure, and emotion beyond the figurative narrative.
This painting will be rolled and shipped in a protective tube. The total size of the canvas is 215× 120cm. A 5 cm margin is provided on each side for stretching the canvas over the frame, with the edges also painted. The painting fits perfectly and should be placed in a frame measuring205/110cm. A certificate of authenticity will also be sent.
An Gogh is an artist who works under a pseudonym – their identity remains a mystery, but the artworks speak louder than any biography.
The paintings are built with expressive, mosaic-like brushstrokes in which color takes center stage. Bold contrasts, dynamic compositions, and humorous or dramatic figures turn each canvas into a deeply emotional experience.
The artist’s style moves between Fauvism, Cubism, and Post-Impressionism, yet always remains contemporary and provocative.
Everything in An Gogh’s works is a symbol, reimagined and refracted through the prism of energy and imagination.
The anonymity of the author is no accident – it shifts the focus to the art, not the persona.
An Gogh does not want us to know who holds the brush. He wants us to know what we feel when we look at his paintings.
Spring is a state of matter in which light begins to remember itself.
Within the cracks of time, where forms hesitate whether to remain or to dissolve. Colors are released — like thoughts that have finally ceased to fear their own softness.
It is that moment in which chaos is a promise, where decay and creation share the same surface without contradicting each other.
There is only unfolding — slow, almost imperceptible, yet irreversible. A внутренен gesture of the world choosing, once again, to be.
This large statement artwork is suitable for contemporary interiors, galleries, or private collections.
An G is the abstract line of An Gogh, in which the artist explores gesture, structure, and emotion beyond the figurative narrative.
This painting will be rolled and shipped in a protective tube. The total size of the canvas is 215× 120cm. A 5 cm margin is provided on each side for stretching the canvas over the frame, with the edges also painted. The painting fits perfectly and should be placed in a frame measuring205/110cm. A certificate of authenticity will also be sent.
An Gogh is an artist who works under a pseudonym – their identity remains a mystery, but the artworks speak louder than any biography.
The paintings are built with expressive, mosaic-like brushstrokes in which color takes center stage. Bold contrasts, dynamic compositions, and humorous or dramatic figures turn each canvas into a deeply emotional experience.
The artist’s style moves between Fauvism, Cubism, and Post-Impressionism, yet always remains contemporary and provocative.
Everything in An Gogh’s works is a symbol, reimagined and refracted through the prism of energy and imagination.
The anonymity of the author is no accident – it shifts the focus to the art, not the persona.
An Gogh does not want us to know who holds the brush. He wants us to know what we feel when we look at his paintings.

