AT studio - Jardin d’amour vol.11-XXL





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Original acrylic painting by AT studio, titled Jardin d’amour vol.11-XXL, measuring 160 × 100 cm, signed by the artist and created in 2026 in an abstract expressionist landscape with a multicolour palette.
Description from the seller
AT studio presents a UNIQUE WORK!!
Directly from the artist with the certificate of authenticity. Shipped rolled without stretcher or frame in a transport tube. 160/100 cm in total size.
Title: “Garden of Love, vol.11”
Description:
The canvas asserts itself as a vast and vibrant expanse, almost limitless, where color becomes language. On this undefined background — neither quite sky nor quite earth — petals seem to float in suspension, freed from gravity. They are not described with botanical precision: they are suggested shapes, organic shards, fragments of flowers reinvented by the painter’s gesture.
Some petals stretch into long translucent streaks, as if carried by an invisible wind, while others whirl in denser clusters, creating zones of tension and calm. The hues range between deep reds, bright pinks, and touches of ochre or violet, sometimes crossed by darker lines, almost nervous, that seem to structure the chaos.
The painting’s own material plays an essential role: thick in places, almost sculpted, then suddenly diluted into light veils, as if the painting were breathing. This alternation gives the impression that the petals emerge, disappear, then reappear elsewhere on the canvas.
Overall, it does not tell a precise scene, but evokes perpetual movement — a silent dance, suspended between fall and ascent. It is a work that captures the moment when nature sheds its form to become pure sensation, leaving the eye to wander in an abstract, free, and elusive poetry.
Good luck.
AT studio.
AT studio presents a UNIQUE WORK!!
Directly from the artist with the certificate of authenticity. Shipped rolled without stretcher or frame in a transport tube. 160/100 cm in total size.
Title: “Garden of Love, vol.11”
Description:
The canvas asserts itself as a vast and vibrant expanse, almost limitless, where color becomes language. On this undefined background — neither quite sky nor quite earth — petals seem to float in suspension, freed from gravity. They are not described with botanical precision: they are suggested shapes, organic shards, fragments of flowers reinvented by the painter’s gesture.
Some petals stretch into long translucent streaks, as if carried by an invisible wind, while others whirl in denser clusters, creating zones of tension and calm. The hues range between deep reds, bright pinks, and touches of ochre or violet, sometimes crossed by darker lines, almost nervous, that seem to structure the chaos.
The painting’s own material plays an essential role: thick in places, almost sculpted, then suddenly diluted into light veils, as if the painting were breathing. This alternation gives the impression that the petals emerge, disappear, then reappear elsewhere on the canvas.
Overall, it does not tell a precise scene, but evokes perpetual movement — a silent dance, suspended between fall and ascent. It is a work that captures the moment when nature sheds its form to become pure sensation, leaving the eye to wander in an abstract, free, and elusive poetry.
Good luck.
AT studio.

