AT studio - La mer. Triptyque.






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
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AT studio presents a unique original acrylic painting triptych titled La mer. Triptyque, a 2026 seascape by AT studio, signed by hand, measuring 40 × 90 cm overall (each panel 40 × 30 cm), in excellent condition, from France, sold directly by the artist with a certificate of authenticity.
Description from the seller
AT studio presents a:
A UNIQUE WORK!! Ready to hang!!
Directly from the artist with the certificate of authenticity. Ships with the stretchers. 40/90/2 cm in total size, 40/30/2 cm each.
Title: The Sea.
Description :
Three panels, like three breaths from the same breath.
On the left, a moving expanse of deep blues and dark greens clashes with shards of broken white. The material looks scratched, almost wounded, as if the wind itself had left its marks. This is the untamed sea, heavy, laden with memory, where invisible currents and ancient forces can be sensed. Nothing here is stable, everything wobbles.
In the center, space opens up. The hues brighten, sliding toward milky turquoise and silvery greys. The shapes become more fluid, almost suspended. An uncertain line crosses the canvas — horizon or illusion — suggesting a moment of calm, a fragile pause between two movements. The sea here breathes, slow, almost soothed, but never still.
On the right, light dominates. Pale yellows, translucent whites and pinkish touches entwine in a more airy composition. The gestures are lighter, as if erased by time. The sea dissolves there, becoming memory or dream, a gentle presence that moves away without disappearing.
The triptych does not tell the sea: it makes it felt — at once powerful, suspended, then elusive.
Good luck.
AT studio.
AT studio presents a:
A UNIQUE WORK!! Ready to hang!!
Directly from the artist with the certificate of authenticity. Ships with the stretchers. 40/90/2 cm in total size, 40/30/2 cm each.
Title: The Sea.
Description :
Three panels, like three breaths from the same breath.
On the left, a moving expanse of deep blues and dark greens clashes with shards of broken white. The material looks scratched, almost wounded, as if the wind itself had left its marks. This is the untamed sea, heavy, laden with memory, where invisible currents and ancient forces can be sensed. Nothing here is stable, everything wobbles.
In the center, space opens up. The hues brighten, sliding toward milky turquoise and silvery greys. The shapes become more fluid, almost suspended. An uncertain line crosses the canvas — horizon or illusion — suggesting a moment of calm, a fragile pause between two movements. The sea here breathes, slow, almost soothed, but never still.
On the right, light dominates. Pale yellows, translucent whites and pinkish touches entwine in a more airy composition. The gestures are lighter, as if erased by time. The sea dissolves there, becoming memory or dream, a gentle presence that moves away without disappearing.
The triptych does not tell the sea: it makes it felt — at once powerful, suspended, then elusive.
Good luck.
AT studio.
