Lady K (1978) - untitled

Artist name: Lady K

Nationality: French

Date of birth: 1978, Le Blanc-Mesnil, France

Title of the work: untitled

Year: 2025

Medium: Mixed media on commemorative 20 South African rand banknote, issued in honor of Nelson Mandela

Dimensions: 135 mm x 70 mm

Framing: no

Signature details:
Hand-signed by the artist

Edition:
Unique work (not numbered),

Provenance:
Directly from the artist's studio, Lady K. The work is for sale with a digital certificate of authenticity issued by the agency representing the artist, MP ARTS AGENCY.

Documentation:
Digital certificate of authenticity issued by MP ARTS AGENCY.

Condition:
The work is in perfect condition, with no notable imperfections.

Delivery:
The work will be shipped from France, carefully packaged and insured.

About the artist:

Lady K, , is a French visual artist born on October 23, 1978 in Le Blanc-Mesnil (Seine-Saint-Denis). A key figure in hexagonal graffiti, she belongs to the generation that structured and professionalized the French street art scene of the 1990s and 2000s.

She discovered graffiti in the early 1990s, at a time when the discipline was still largely marginal and male-dominated. Very quickly, she established herself through mastery of writing, complex lettering and the wildstyle, developing a demanding body of work around the letter as an autonomous form. Her approach goes beyond simple urban tagging: for Lady K, typography becomes material, structure, visual architecture.

She attended the École nationale supérieure des Beaux-Arts de Paris, graduating in 2007, and pursued studies in visual arts and sociology of art at Université Paris 1 Panthéon-Sorbonne. This dual training—graffiti culture and academic formation—allows her to place her practice in a constant dialogue between street and institution, between spontaneity and conceptual reflection.

Lady K is a member of the international crew "156 All Starz", a collective founded in 1992 and one of the major groups in world graffiti. This affiliation places her in the history of international writing and testifies to her recognition by her peers.

- Exhibitions and notable events

Over the years, Lady K has participated in numerous group exhibitions and international projects devoted to urban art. She shows in galleries and art centers in France and abroad, contributing to the institutional recognition of graffiti.

She takes part in major events related to the history of street art, urban festivals and exhibitions dedicated to the pioneers of the movement. Her work is regularly presented in contexts where graffiti dialogues with contemporary art, confirming her pivotal position between these two worlds.

Alongside gallery shows, she pursues an active practice in public space, creating murals and wall interventions in France and internationally.

- Artistic approach

Lady K's work rests on an in-depth reflection on language and sign. The letter, founding element of graffiti, becomes, for her, a plastic motif in its own right. She deconstructs, overlays, fragments it, playing on the tension between legibility and abstraction.

Her practice is plural: painting on canvas, installations, volumetric works, photography, performances. She questions the place of writing in urban space and how graffiti can transform without losing its original energy.

As a woman who emerged in a historically male environment, she also occupies an important position in the history of women in graffiti in France, helping to open the way for a new generation of artists.

- Positioning in the art market

In the market, Lady K benefits from strong status as a historic figure of French graffiti. Several factors enhance her appeal to collectors:

* Active presence since the 1990s
* Membership in the international crew 156 All Starz
* Academic training at the Beaux-Arts de Paris
* Progressive institutional recognition

Her works on canvas and mixed media particularly interest collectors specializing in historical street art and artists who contributed to the transition from graffiti to contemporary art.

She thus ranks among artists who have managed to preserve the authenticity of writing while integrating into art-market circuits.