Francien Krieg - “Unfolding in Silence”






Over 10 years' experience in art trade and previously founded his own gallery.
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Unfolding in Silence is an original surrealist AI digital print, 50 cm high by 40 cm wide, year 2026, hand-signed, in excellent condition, depicting a portrait, produced in the Netherlands and sold directly by the artist.
Description from the seller
In these works I play with the boundary between image and object.
I make trompe-l’œil wall panels that behave like small cupboards on the wall. Through the form, the shadows and the open doors a space arises that does not really exist, but is still tangible. As if you could just step into it.
The work is essentially flat, but I want it to behave like something corporeal. Something that both withdraws and comes forward. That does not fully reveal itself.
I place the figures in a protected, framed world. Not closed in, but shielded. For me that cabinet is a mental space. A place between inside and outside. Between being seen and keeping yourself.
Flowers and butterflies do not appear as explanatory symbols, but as quiet companions. They carry something fragile within them. Something temporary. Perhaps they are there just to invite closer looking.
What interests me is that moment when proximity and distance coexist. That which feels close is sometimes carefully guarded.
Seller's Story
In these works I play with the boundary between image and object.
I make trompe-l’œil wall panels that behave like small cupboards on the wall. Through the form, the shadows and the open doors a space arises that does not really exist, but is still tangible. As if you could just step into it.
The work is essentially flat, but I want it to behave like something corporeal. Something that both withdraws and comes forward. That does not fully reveal itself.
I place the figures in a protected, framed world. Not closed in, but shielded. For me that cabinet is a mental space. A place between inside and outside. Between being seen and keeping yourself.
Flowers and butterflies do not appear as explanatory symbols, but as quiet companions. They carry something fragile within them. Something temporary. Perhaps they are there just to invite closer looking.
What interests me is that moment when proximity and distance coexist. That which feels close is sometimes carefully guarded.
