Arnaldo Tamburrini (1901-1966) - Gate at sunset






Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
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Oil painting titled Gate at sunset by Arnaldo Tamburrini (1901-1966), dating to 1900-1910, in the Impressionist style, executed in Italy and sold with frame, measuring 60 cm by 70 cm, weight 4 kg, signed by hand and in excellent condition.
Description from the seller
Arnaldo Tamburini's painting likely dates from the end of the 19th century to the early decades of the 20th century, within a painting context tied to Italian Naturalism and post-Macchiaioli influences, where the focus is on atmospheric rendering and the synthesis between light and matter; the scene depicts an essential rural corner, with a wall diagonally cutting through the space and a large tree with a dense crown dominating the composition, creating a contrast between the dark mass of the foliage and the warm luminosity of the ground and the sky, while the brushstroke appears robust and vibrant, almost paste-like especially in the vegetation, a sign of a more sensory than descriptive quest, and the color, laid down in earthy tones and deep greens, builds the volumes without resorting to rigid drawing but relying on tonal and textural variations; the whole yields an intimate and silent view of the landscape, where the architectural element of the wall is not only structure but also a compositional rhythm that guides the eye toward the background, while the tree becomes the visual and symbolic focal point, suggesting a sensibility typical of painting caught between nineteenth-century tradition and broader, freer, and more modern approaches to rendering light and matter.
Frameless size: 40x50 cm
Arnaldo Tamburini's painting likely dates from the end of the 19th century to the early decades of the 20th century, within a painting context tied to Italian Naturalism and post-Macchiaioli influences, where the focus is on atmospheric rendering and the synthesis between light and matter; the scene depicts an essential rural corner, with a wall diagonally cutting through the space and a large tree with a dense crown dominating the composition, creating a contrast between the dark mass of the foliage and the warm luminosity of the ground and the sky, while the brushstroke appears robust and vibrant, almost paste-like especially in the vegetation, a sign of a more sensory than descriptive quest, and the color, laid down in earthy tones and deep greens, builds the volumes without resorting to rigid drawing but relying on tonal and textural variations; the whole yields an intimate and silent view of the landscape, where the architectural element of the wall is not only structure but also a compositional rhythm that guides the eye toward the background, while the tree becomes the visual and symbolic focal point, suggesting a sensibility typical of painting caught between nineteenth-century tradition and broader, freer, and more modern approaches to rendering light and matter.
Frameless size: 40x50 cm
