No. 103429805

Sold
iron - Japan - Edo Period (1600-1868)
Final bid
€ 110
10 weeks ago

iron - Japan - Edo Period (1600-1868)

– A samurai jingasa with a forged iron core in the eight-plate (hachiken) construction – Black urushi lacquer over iron, decorated with a flowing wave-pattern (namimon) in low relief – Substantial in the hand – a serious, defensive-grade piece rather than a purely ceremonial hat Summary: An impressive Edo-period iron jingasa, hammered and riveted from eight wedge-shaped iron plates and finished in black lacquer with a stylised wave pattern. Where lacquered ajiro jingasa were lightweight road hats for daily samurai use, the iron version was built for the road and the field – heavier, harder, and capable of turning a glancing blow. Its visual character is correspondingly austere and architectural, and it carries strong appeal for European collectors of Japanese arms, armour, and metalwork. The hachiken construction – literally “eight-segment” – is a recognisable signature of better quality jingasa. Each iron plate was forged separately, shaped, and joined so that the seams radiate outward from the crown like the ribs of an umbrella. This is the same logic of segmented forging that underpins the kabuto helmet itself, simply expressed in a flatter, broader form. Over the iron, layer after layer of black urushi was applied and polished. The wave decoration (namimon) – curling crests of stylised water – belongs to a long Japanese tradition in which the sea is read both as a beautiful natural form and as a symbol of resilience: the wave breaks, but the water always returns. On a piece of military equipment, the choice carries a certain quiet bravado. The weight is part of the experience. Lifted in the hand, the jingasa feels emphatically real – a working object built to do a job, not a decorative reproduction. The patina of the lacquer, softened by age, gives the surface depth without dulling its presence. Displayed on a low stand or wall mount, it carries serious presence in a modern interior: think dark walls, oak floorboards, gallery lighting, or a quiet corner of a study lined with Japanese books and ceramics. It also sits comfortably alongside European arms and armour. The piece appears to be in very good condition for its age, with the iron core sound, the lacquer well preserved, and only the gentle signs of age expected of a piece of this period. A robust, visually powerful artefact from the world of the late samurai. Shipping & Handling We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping available for multiple wins. Local customs duties are the buyer’s responsibility. Seller Guarantee We specialise in authentic Japanese metalwork and guarantee this piece’s authenticity. Questions welcome – we reply within 24 hours. 1545

No. 103429805

Sold
iron - Japan - Edo Period (1600-1868)

iron - Japan - Edo Period (1600-1868)

– A samurai jingasa with a forged iron core in the eight-plate (hachiken) construction
– Black urushi lacquer over iron, decorated with a flowing wave-pattern (namimon) in low relief
– Substantial in the hand – a serious, defensive-grade piece rather than a purely ceremonial hat

Summary: An impressive Edo-period iron jingasa, hammered and riveted from eight wedge-shaped iron plates and finished in black lacquer with a stylised wave pattern. Where lacquered ajiro jingasa were lightweight road hats for daily samurai use, the iron version was built for the road and the field – heavier, harder, and capable of turning a glancing blow. Its visual character is correspondingly austere and architectural, and it carries strong appeal for European collectors of Japanese arms, armour, and metalwork.

The hachiken construction – literally “eight-segment” – is a recognisable signature of better quality jingasa. Each iron plate was forged separately, shaped, and joined so that the seams radiate outward from the crown like the ribs of an umbrella. This is the same logic of segmented forging that underpins the kabuto helmet itself, simply expressed in a flatter, broader form.

Over the iron, layer after layer of black urushi was applied and polished. The wave decoration (namimon) – curling crests of stylised water – belongs to a long Japanese tradition in which the sea is read both as a beautiful natural form and as a symbol of resilience: the wave breaks, but the water always returns. On a piece of military equipment, the choice carries a certain quiet bravado.

The weight is part of the experience. Lifted in the hand, the jingasa feels emphatically real – a working object built to do a job, not a decorative reproduction. The patina of the lacquer, softened by age, gives the surface depth without dulling its presence.

Displayed on a low stand or wall mount, it carries serious presence in a modern interior: think dark walls, oak floorboards, gallery lighting, or a quiet corner of a study lined with Japanese books and ceramics. It also sits comfortably alongside European arms and armour.

The piece appears to be in very good condition for its age, with the iron core sound, the lacquer well preserved, and only the gentle signs of age expected of a piece of this period.

A robust, visually powerful artefact from the world of the late samurai.

Shipping & Handling
We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping available for multiple wins. Local customs duties are the buyer’s responsibility.

Seller Guarantee
We specialise in authentic Japanese metalwork and guarantee this piece’s authenticity. Questions welcome – we reply within 24 hours.

1545

Final bid
€ 110
Julien Gauthier
Expert
Estimate  € 200 - € 250

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