Olivier Sultan - Zulu Queen






Over 10 years' experience in art trade and previously founded his own gallery.
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Olivier Sultan, Zulu Queen, a Moderne sculpture (mixed media on wood and metal) created in 2024 in France, signed by hand, 20 cm wide, 95 cm high and 20 cm deep, in excellent condition.
Description from the seller
Olivier Sultan is a multifaceted artist: sculptor, painter, photographer, critic and gallerist, he explores art as a playground and a memory, between mockery and the sacred. His works, deeply rooted in an aesthetics of recuperation, take the form of contemporary totems, composed of “second hand” objects, diverted with poetry and mischief.
In his universe, the sacred is lightened, recomposed, set at a distance without being mocked. Through his sculptures – like The Fetish or The Goddess of Rain – he gives a second life to poor materials, dressing them with twisted wires, golden chains, fork headdresses… An aesthetics of bric-a-brac that transcends the ordinary object to restore to it a new aura.
Olivier Sultan also presents himself as a poetic forger, a “culture robber” who captures, deconstructs and reinvents cultural heritages in a grand gesture of fusion and displacement. He pretends to dissolve the Aura (in the sense of Walter Benjamin), while reactivating it through humor, detournement and memory bricolée.
His works, rich in references but deeply free, question authenticity, purity, lineage. They are hybrid peoples, fractured narratives, figures that reappear in a world in perpetual recomposition.
Seller's Story
Olivier Sultan is a multifaceted artist: sculptor, painter, photographer, critic and gallerist, he explores art as a playground and a memory, between mockery and the sacred. His works, deeply rooted in an aesthetics of recuperation, take the form of contemporary totems, composed of “second hand” objects, diverted with poetry and mischief.
In his universe, the sacred is lightened, recomposed, set at a distance without being mocked. Through his sculptures – like The Fetish or The Goddess of Rain – he gives a second life to poor materials, dressing them with twisted wires, golden chains, fork headdresses… An aesthetics of bric-a-brac that transcends the ordinary object to restore to it a new aura.
Olivier Sultan also presents himself as a poetic forger, a “culture robber” who captures, deconstructs and reinvents cultural heritages in a grand gesture of fusion and displacement. He pretends to dissolve the Aura (in the sense of Walter Benjamin), while reactivating it through humor, detournement and memory bricolée.
His works, rich in references but deeply free, question authenticity, purity, lineage. They are hybrid peoples, fractured narratives, figures that reappear in a world in perpetual recomposition.
