Head - Testa di pugile - Marble





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He accumulated 18 years' experience, worked as junior specialist at Sotheby’s and managed Kunsthandel Jacques Fijnaut.
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Description from the seller
White Carrara marble sculpture finely carved depicting a "Boxer’s Head", often identified as an idealized effigy of a victorious athlete or of the demigod Heracles, dating to the imperial Roman period (1st-2nd century AD). The work is an exceptional example of a Roman copy of a lost Hellenistic masterpiece, probably datable to the 2nd-1st centuries BC.
The face captures the expressive intensity and crude realism typical of Hellenistic pathos. The features show the physical marks of fighting: a nose slightly flattened and "cauliflower ears" (auricular hematomas), classic diagnostic elements for identifying a boxer or wrestler.
The gaze is directed upward, with furrowed brows and the mouth slightly ajar, giving the expression a sense of heroic fatigue and determination. The beard and hair are rendered with dense, voluminous curls, sculpted with skilled use of the drill to create deep chiaroscuro contrasts that animate the stone surface. The natural polychromy and the light patinas of time on the white marble enhance the plasticity of the facial musculature.
The head rests on a supporting pedestal in Rosso Antico marble, characterized by rich multicolored veining (white and purplish).
An element of particular historical and technical interest is found on the summit of the red pedestal: an ancient quadrangular iron joining pin is visible, with evident oxidation traces, cemented inside the marble with a lead pour. This historic mortise pin testifies to the original assembly method of the head to the bust and its support, a crucial detail for authentication and provenance of the piece.
White Carrara marble sculpture finely carved depicting a "Boxer’s Head", often identified as an idealized effigy of a victorious athlete or of the demigod Heracles, dating to the imperial Roman period (1st-2nd century AD). The work is an exceptional example of a Roman copy of a lost Hellenistic masterpiece, probably datable to the 2nd-1st centuries BC.
The face captures the expressive intensity and crude realism typical of Hellenistic pathos. The features show the physical marks of fighting: a nose slightly flattened and "cauliflower ears" (auricular hematomas), classic diagnostic elements for identifying a boxer or wrestler.
The gaze is directed upward, with furrowed brows and the mouth slightly ajar, giving the expression a sense of heroic fatigue and determination. The beard and hair are rendered with dense, voluminous curls, sculpted with skilled use of the drill to create deep chiaroscuro contrasts that animate the stone surface. The natural polychromy and the light patinas of time on the white marble enhance the plasticity of the facial musculature.
The head rests on a supporting pedestal in Rosso Antico marble, characterized by rich multicolored veining (white and purplish).
An element of particular historical and technical interest is found on the summit of the red pedestal: an ancient quadrangular iron joining pin is visible, with evident oxidation traces, cemented inside the marble with a lead pour. This historic mortise pin testifies to the original assembly method of the head to the bust and its support, a crucial detail for authentication and provenance of the piece.
