Gianfranco Zenerato - METAPHYSICAL MOUSE

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Over 180 collectors have purchased Gianfranco Zenerato’s works on Catawiki.
AMONG THE TOP 5 RAPIDLY RISING ARTISTS ON CATAWIKI

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198 items sold - 100% Positive - 75 Reviews

www.zenerato.com

• Active since 1990, with over 600 participation in national and international art events.
• Recognized for the high quality of works, with over 500 awards.
• Present in public and private collections in Italy, Europe, America, and Asia.
• Exhibited beside masters such as Antonio Nunziante, Athos Faccincani, Alfonso Borghi, Giuseppe Menozzi, Giampaolo Talani, Saturno Buttò, etc.
• Reviewed by leading Italian critics.

International Archiving Certificate - Certificate of Authenticity - File containing the artist’s professional path
Single piece hand-painted - overall dimensions including frame 58x48x4 cm - acrylic, metallic pigments and sand on panel - 2025
Ready to hang - Gorgeous high-quality baroque wooden frame prepared by hand

METAPHYSICAL MOUSE
In “Metaphysical Mouse” the everyday object is stripped of its function and delivered to thought. The mouse is no longer a peripheral but a presence: a compact, almost animal-like body, that observes and holds silence.
Numbers and the inscribed sign act as coordinates of an invisible code, suggesting that behind the interface lies a mental territory. Controlled light and sparse space isolate the form, transforming it into an emblem of an era where the boundary between organic and artificial is already surpassed.
It does not represent technology: it interrogates it.
To own it means to guard a sharp symbol of our contemporary condition.

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GIANFRANCO ZENERATO (Professional Artist - Italy)

Active since 1990, he has pursued an artistic path that led him to participate in over 600 art events, receiving national and international recognitions for the quality of his works. With over 500 awards to his name, his creations enrich notable public and private collections in Italy, Europe, America, and Asia. He has exhibited alongside masters such as Antonio Nunziante, Athos Faccincani, Alfonso Borghi, Giuseppe Menozzi, Giampaolo Talani, Saturno Buttò, etc...

Currently, he collaborates with the renowned art critic, Prof. Giammarco Puntelli.

Some of the innumerable reviews by well-known experts in the art world:

Gianfranco Zenerato belongs to that stream of seventies-style artists, stern messengers to Western society. While Milanese Antonio Recalcati and Roman Franco Mulas expressed social anger, Zenerato carries a poignant warning, where the man’s defeat can also represent the threshold of secular redemption. It is a vision dense with symbolic meanings, of a painter from the modern school who, with talent, reconciles research with experimentation. (Paolo Levi)

One notices a kind of invitation to meditate on the beauty of a still life, a flower and a young woman emanating from this emblematic image. The classicism of these silent images interrupts the suspended atmosphere of a gray world, the contemporary one, that diverts us from dreams. (Paolo Levi)

In this unsettling yet explicit visual message, the dialogue between chromatic essentialism and the harmony of forms testifies to expressive tension and the mastery of a skilled artist. Interesting and novel is the mixture of flowers, fruits, and contemporary technological objects. (Stefania Bison)

Gianfranco Zenerato develops sign-based narratives that reveal, step by step, the infinite possibilities of a fertile imagination, organized according to ordered sequences of his mental elaborations. His fantastic constructions could thus confuse critical judgment in defining him as a surrealist. This is not correct, as he does not propose an absurd and unreal imagination, but on the contrary, paints a reality familiar to us, with a purpose, however, communicative and highly symbolic. (Sandro Serradifalco)

This painting by Gianfranco Zenerato is technically well-structured, finely and richly articulated, and proposes reality built by the mind of a visionary. His works have a strong scenographic component, and those who scrutinize these messages are left to decipher what meaning the author attributed to them. He indeed plays with symbols and allusions and enjoys confusing interpretive coordinates of what could be the plot of a story camouflaged in unreality. (S. Russo)

With Gianfranco Zenerato we have an excellent idea, transformed with great ability into a depiction of anticipation, where modernity meets a time that no longer exists to make us rediscover feelings... (Giammarco Puntelli)

The author emphasizes the overlapping and intersection of genres, on an allusive and sharply metaphorical exploration of subjects and colors. With a radiant intuition he unifies past (still life), present (the female image) and future (symbolism, cryptic writing...) so that the work becomes not only an artistic paradigm but also a literary and metanarrative one. The painter pushes to identify a new visual universe, probing the limits of traditional iconography to demonstrate how painting today — amid so much noise — remains a original discipline. The artist’s creativity is reaffirmed, then — thanks also to the vibrant chromatic colors — how the approach tied to the genre still has a place in 21st-century painting.

Zenerato’s painting leads us to a three-level vision of reality. It is a journey through time that we undertake with the artist, who through various experiments has come to place his vision in a present that