Alejandro Valdes - Intersección Azul III - XL





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Alejandro Valdés Hernández, Intersección Azul III - XL, acrylic painting on canvas, original edition, 2026, 70 × 96 cm, 300 g, blue, white and grey tones, signed by hand, in excellent condition, origin from Spain, sold directly by the artist.
Description from the seller
geometric abstraction work that explores the balance between space, form, and depth. Through planes defined in blues, navy blues, turquoises, and neutral hues, the composition creates an architectural feel that evokes impossible structures or fragmented perspectives.
Diagonal lines and blocks of color generate visual tension and dynamism, guiding the eye toward a central convergence point that suggests expansion and movement. The interaction between dark and light areas adds volume and a subtle three-dimensional illusion, giving the piece a sophisticated and contemporary presence.
Name: Alejandro Valdés Hernández
Nationality: Cuban
Year of birth: 1974
Place of birth: Havana, Cuba
Specialty: Contemporary painting, mixed media, and printmaking
Training
1989–1993 — Elementary Level of Visual Arts, Havana
1993–1997 — National Academy of Fine Arts San Alejandro, Havana
Influences: Caribbean expressionism, lyrical abstraction, urban memory
Body of work
Alejandro Valdés Hernández’s work centers on urban memory, migration, and the relationship between architecture and emotion. His style combines tactile layers, gestural drawing, and warm palettes
Techniques:
Oil and acrylic on canvas
Mixed media with sand and natural pigments
Experimental printmaking
Ephemeral murals
Solo exhibitions
2001 — Submerged Cities, Independent Gallery, Havana
2006 — Cartographies of Memory, Alternative Cultural Center, Mexico City
2010 — Inner Tropic, self-managed space, Bogota
2015 — Architectures of Memory, Contemporary Art Hall, Miami
2021 — Fragmented Island, Private Gallery, Madrid
Group exhibitions
1998 — Exhibition of Cuban young painters, Havana
2003 — Caribbean Alternative Biennial, Santo Domingo
2008 — Meeting of Emerging Latin American Art, Buenos Aires
2014 — Art and Territory, Lima
2019 — Contemporary Caribbean Painting, San Juan
2023 — Latin American Artists in Diaspora, Barcelona
Works in collections
Private collections in Cuba, Mexico, Colombia, and Spain
Murals and works in independent cultural spaces in Havana
Pieces in Latin American artist residencies
Works in private collections in Miami, Panama, and Buenos Aires
Artist residencies
2004 — Contemporary Art Residency, Oaxaca
2012 — Experimental Printmaking Studio, Medellín
2018 — Artistic Exchange Program, Montevideo
Publications and mentions
Catalogues of independent exhibitions in Latin America
Critical essays in culturally circulated magazines
Participation in alternative curatorial projects
“I paint cities that do not exist, or that exist only in memory. My work is an emotional cartography of those who leave without ceasing to inhabit it.”
Acrylic on canvas, unstretched, packed in bubble wrap and placed inside a rigid cardboard tube, and secured by the shipping company (CORREOS ESPAÑA)
geometric abstraction work that explores the balance between space, form, and depth. Through planes defined in blues, navy blues, turquoises, and neutral hues, the composition creates an architectural feel that evokes impossible structures or fragmented perspectives.
Diagonal lines and blocks of color generate visual tension and dynamism, guiding the eye toward a central convergence point that suggests expansion and movement. The interaction between dark and light areas adds volume and a subtle three-dimensional illusion, giving the piece a sophisticated and contemporary presence.
Name: Alejandro Valdés Hernández
Nationality: Cuban
Year of birth: 1974
Place of birth: Havana, Cuba
Specialty: Contemporary painting, mixed media, and printmaking
Training
1989–1993 — Elementary Level of Visual Arts, Havana
1993–1997 — National Academy of Fine Arts San Alejandro, Havana
Influences: Caribbean expressionism, lyrical abstraction, urban memory
Body of work
Alejandro Valdés Hernández’s work centers on urban memory, migration, and the relationship between architecture and emotion. His style combines tactile layers, gestural drawing, and warm palettes
Techniques:
Oil and acrylic on canvas
Mixed media with sand and natural pigments
Experimental printmaking
Ephemeral murals
Solo exhibitions
2001 — Submerged Cities, Independent Gallery, Havana
2006 — Cartographies of Memory, Alternative Cultural Center, Mexico City
2010 — Inner Tropic, self-managed space, Bogota
2015 — Architectures of Memory, Contemporary Art Hall, Miami
2021 — Fragmented Island, Private Gallery, Madrid
Group exhibitions
1998 — Exhibition of Cuban young painters, Havana
2003 — Caribbean Alternative Biennial, Santo Domingo
2008 — Meeting of Emerging Latin American Art, Buenos Aires
2014 — Art and Territory, Lima
2019 — Contemporary Caribbean Painting, San Juan
2023 — Latin American Artists in Diaspora, Barcelona
Works in collections
Private collections in Cuba, Mexico, Colombia, and Spain
Murals and works in independent cultural spaces in Havana
Pieces in Latin American artist residencies
Works in private collections in Miami, Panama, and Buenos Aires
Artist residencies
2004 — Contemporary Art Residency, Oaxaca
2012 — Experimental Printmaking Studio, Medellín
2018 — Artistic Exchange Program, Montevideo
Publications and mentions
Catalogues of independent exhibitions in Latin America
Critical essays in culturally circulated magazines
Participation in alternative curatorial projects
“I paint cities that do not exist, or that exist only in memory. My work is an emotional cartography of those who leave without ceasing to inhabit it.”
Acrylic on canvas, unstretched, packed in bubble wrap and placed inside a rigid cardboard tube, and secured by the shipping company (CORREOS ESPAÑA)

