M. Perone (1982) - L’attesa delle parole





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"L’attesa delle parole", oil on canvas, 50 × 40 cm, by M. Perone (born 1982), hand-signed, Italy, classic style, original edition, period 2020+, a portrait of a young woman seated at a round table with a pen between her fingers.
Description from the seller
Title: “The Anticipation of Words"
Oil on canvas, 50× 40 cm
A young woman is caught in a suspended moment, immersed in an intimate and reflective quiet. Sitting beside a round table, her body slightly inclined toward the light filtering through the window, she holds a pen between her fingers, as if words are about to be born but still hesitate between thought and gesture. The face, delicately modeled with warm and cool tones, reveals a absorbed, distant, almost melancholy gaze that disappears beyond the visible space.
The dress, the chromatic protagonist of the composition, is a deep, vibrant yellow, built with broad, dynamic brushstrokes that suggest movement and luminosity. The fabric seems to dissolve into the light, transforming into pure painterly matter, with golden highlights and white accents that enhance its vitality. The bare shoulders and floral details add a touch of grace and femininity, never descending into decoration.
The surrounding environment is only hinted at, yet rich in atmosphere: stacked books, a small glass object, wooden surfaces and soft shadows build a intimate and silent space. The natural light, coming from the side, creates a continuous dialogue between inside and outside, between the real world and the figure’s inner world.
The painting technique alternates zones of greater definition, such as the face and hands, with freer and gestural parts, especially in the rendering of the dress and background. This contrast gives the work a balance between figuration and impression, between precision and spontaneity.
Title: “The Anticipation of Words"
Oil on canvas, 50× 40 cm
A young woman is caught in a suspended moment, immersed in an intimate and reflective quiet. Sitting beside a round table, her body slightly inclined toward the light filtering through the window, she holds a pen between her fingers, as if words are about to be born but still hesitate between thought and gesture. The face, delicately modeled with warm and cool tones, reveals a absorbed, distant, almost melancholy gaze that disappears beyond the visible space.
The dress, the chromatic protagonist of the composition, is a deep, vibrant yellow, built with broad, dynamic brushstrokes that suggest movement and luminosity. The fabric seems to dissolve into the light, transforming into pure painterly matter, with golden highlights and white accents that enhance its vitality. The bare shoulders and floral details add a touch of grace and femininity, never descending into decoration.
The surrounding environment is only hinted at, yet rich in atmosphere: stacked books, a small glass object, wooden surfaces and soft shadows build a intimate and silent space. The natural light, coming from the side, creates a continuous dialogue between inside and outside, between the real world and the figure’s inner world.
The painting technique alternates zones of greater definition, such as the face and hands, with freer and gestural parts, especially in the rendering of the dress and background. This contrast gives the work a balance between figuration and impression, between precision and spontaneity.

