Gianluca Micheletti - Delicacyus | Codice






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Description from the seller
This work is available in only 10 copies, signed and numbered on the back.
Each copy is accompanied by a Certificate of Authenticity that certifies and guarantees the characteristics, the numbering and the availability of the print in the limited edition.
The print is made on Hahnemühle FineArt cotton paper (Photo Rag Matt FineArt – smooth 308 gsm), to ensure quality, depth and long-lasting durability.
Print size 20x30 cm.
The frame is NOT included.
Created without AI tools.
Statement:
This work belongs to the still life photographic project entitled Delicacyus.
The word Delicacyous is born as an ambiguous flavor: the attraction of desire and its shadow. It is what seduces and restrains, invites and at the same time consumes. A delicacy is never innocent: it is caress and voracity, promise and excess. Each indulgence carries with it the subtle risk of crossing the line. In the images, the food offers itself to the gaze with all its appetizability, but something cracks. A quiet unease insinuates itself among the surfaces, like a omen. The fish returns, an ancient and ambiguous figure: a sacred symbol, but also an external, almost alien presence, distant from any earthly familiarity. Delicacyous is a submerged call, a signal that surfaces just beneath the surface of desire. What attracts is never devoid of consequences: it is consumed, and in doing so, slowly, it transforms us.
Biography:
Gianluca Micheletti approached photography in 2011, after a path in other disciplines. His training developed through courses and workshops, up to a significant experience in Berlin in 2012 that led him to pursue a professional path. In 2013 he won a scholarship at the Istituto Italiano di Fotografia in Milan, where in 2014 he won the Project Book. Parallelly he deepened his visual research by attending the graphic arts engraving workshop at the Accademia di Belle Arti di Bergamo.
Today he works as a professional photographer, specializing in corporate photography and product still life, balancing commercial activity with a constant personal pursuit between fine art photography and reportage.
Over the course of his career he has received numerous international recognitions, including awards at the Moscow International Foto Awards, Tokyo International Foto Awards, ND Photography Awards and Prix de la Photographie Paris, where in 2022 he won the Gold Award in the Fine Art / Digitally Enhanced category with the project “Dream Machine.”
His works have been exhibited in solo and group shows in Europe and internationally, including Rovinj Photodays, Kaunas Photo Festival, Shibuya Cultural Center in Tokyo, Milano Photofestival, Paratissima Art Station and Der Greif at the Pinakothek der Moderne in Munich. In 2024 he participated in the Surreal Exhibition in Glasgow and in Fotografie Urbane during the Trieste Photo Days; in 2025 he exhibited at the Liquida Photofestival in Turin and was selected for a site-specific project for Centrale Festival Milano.
His photographic research combines technical rigor and personal vision, moving between documentation and artistic experimentation.
This work is available in only 10 copies, signed and numbered on the back.
Each copy is accompanied by a Certificate of Authenticity that certifies and guarantees the characteristics, the numbering and the availability of the print in the limited edition.
The print is made on Hahnemühle FineArt cotton paper (Photo Rag Matt FineArt – smooth 308 gsm), to ensure quality, depth and long-lasting durability.
Print size 20x30 cm.
The frame is NOT included.
Created without AI tools.
Statement:
This work belongs to the still life photographic project entitled Delicacyus.
The word Delicacyous is born as an ambiguous flavor: the attraction of desire and its shadow. It is what seduces and restrains, invites and at the same time consumes. A delicacy is never innocent: it is caress and voracity, promise and excess. Each indulgence carries with it the subtle risk of crossing the line. In the images, the food offers itself to the gaze with all its appetizability, but something cracks. A quiet unease insinuates itself among the surfaces, like a omen. The fish returns, an ancient and ambiguous figure: a sacred symbol, but also an external, almost alien presence, distant from any earthly familiarity. Delicacyous is a submerged call, a signal that surfaces just beneath the surface of desire. What attracts is never devoid of consequences: it is consumed, and in doing so, slowly, it transforms us.
Biography:
Gianluca Micheletti approached photography in 2011, after a path in other disciplines. His training developed through courses and workshops, up to a significant experience in Berlin in 2012 that led him to pursue a professional path. In 2013 he won a scholarship at the Istituto Italiano di Fotografia in Milan, where in 2014 he won the Project Book. Parallelly he deepened his visual research by attending the graphic arts engraving workshop at the Accademia di Belle Arti di Bergamo.
Today he works as a professional photographer, specializing in corporate photography and product still life, balancing commercial activity with a constant personal pursuit between fine art photography and reportage.
Over the course of his career he has received numerous international recognitions, including awards at the Moscow International Foto Awards, Tokyo International Foto Awards, ND Photography Awards and Prix de la Photographie Paris, where in 2022 he won the Gold Award in the Fine Art / Digitally Enhanced category with the project “Dream Machine.”
His works have been exhibited in solo and group shows in Europe and internationally, including Rovinj Photodays, Kaunas Photo Festival, Shibuya Cultural Center in Tokyo, Milano Photofestival, Paratissima Art Station and Der Greif at the Pinakothek der Moderne in Munich. In 2024 he participated in the Surreal Exhibition in Glasgow and in Fotografie Urbane during the Trieste Photo Days; in 2025 he exhibited at the Liquida Photofestival in Turin and was selected for a site-specific project for Centrale Festival Milano.
His photographic research combines technical rigor and personal vision, moving between documentation and artistic experimentation.
