Adeline Dupuy - Surfeuse au sunset





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Adeline Dupuy's original acrylic painting Surfeuse au sunset, signed by hand on the back, 88 × 66 cm, from the 2020s, France origin, in excellent condition and ready to hang, with a certificate of authenticity.
Description from the seller
Acrylic on canvas
Ready to hang
The edges of the canvas are the continuation of the motif
The canvas is signed and dated by hand on the back
Certificate of authenticity
Shipped well protected
Adeline began painting courses in 2011 in Australia, inspired by the colors and the layering she found in street art, very present in the streets of Melbourne.
Back in France, a trained geologist, color remains a guiding thread in her life as it often reveals the history of the landscape.
It is in 2022 that she began training at the Bordeaux School of Fine Arts, and working with color and large formats gives another dimension to her painting.
Her approach is to work with acrylic by building up glazes, a very diluted layer of color to reveal transparency, depth, lightness, evanescence and vulnerability attributed to the subject.
What interests her is semi-figuration where the subject remains identifiable but the rest is implied, leaving room for the viewer’s projection and imagination. It is precisely when the painting escapes us that the invisible shines."
Acrylic on canvas
Ready to hang
The edges of the canvas are the continuation of the motif
The canvas is signed and dated by hand on the back
Certificate of authenticity
Shipped well protected
Adeline began painting courses in 2011 in Australia, inspired by the colors and the layering she found in street art, very present in the streets of Melbourne.
Back in France, a trained geologist, color remains a guiding thread in her life as it often reveals the history of the landscape.
It is in 2022 that she began training at the Bordeaux School of Fine Arts, and working with color and large formats gives another dimension to her painting.
Her approach is to work with acrylic by building up glazes, a very diluted layer of color to reveal transparency, depth, lightness, evanescence and vulnerability attributed to the subject.
What interests her is semi-figuration where the subject remains identifiable but the rest is implied, leaving room for the viewer’s projection and imagination. It is precisely when the painting escapes us that the invisible shines."

