Adeline Dupuy - Longboard au sunset





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Adeline Dupuy’s Longboard au sunset is an original contemporary acrylic painting on canvas, 66 cm high by 86 cm wide, 2 kg, signed by hand, dating from 2020 or later, ready to hang, with a certificate of authenticity, sold directly by the artist.
Description from the seller
Acrylic on canvas
Ready to hang
The edges of the canvas are the continuation of the motif
The canvas is hand-signed and dated on the back
Certificate of authenticity
Shipped well protected
Adeline began painting classes in 2011 in Australia, inspired by the colors and the layering she finds in street art that is very present on the streets of Melbourne.
Back in France, a trained geologist, color remains a through-line in her life as it often reveals the history of the landscape.
It is in 2022 that she began training at the École des Beaux-Arts de Bordeaux, and the work on color and large formats gives a new dimension to her painting.
Her approach is to work with acrylic by building up glazes, a very diluted layer of color to let transparency, depth, lightness, evanescence, and the vulnerability attributed to the subject show through.
What interests her is semi-figuration where the subject remains identifiable but the rest is suggested and leaves room for the viewer’s projection and imagination.
It is precisely when the painting escapes us that the invisible shines through.
Acrylic on canvas
Ready to hang
The edges of the canvas are the continuation of the motif
The canvas is hand-signed and dated on the back
Certificate of authenticity
Shipped well protected
Adeline began painting classes in 2011 in Australia, inspired by the colors and the layering she finds in street art that is very present on the streets of Melbourne.
Back in France, a trained geologist, color remains a through-line in her life as it often reveals the history of the landscape.
It is in 2022 that she began training at the École des Beaux-Arts de Bordeaux, and the work on color and large formats gives a new dimension to her painting.
Her approach is to work with acrylic by building up glazes, a very diluted layer of color to let transparency, depth, lightness, evanescence, and the vulnerability attributed to the subject show through.
What interests her is semi-figuration where the subject remains identifiable but the rest is suggested and leaves room for the viewer’s projection and imagination.
It is precisely when the painting escapes us that the invisible shines through.

