Statue Chamba - Nigeria

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Surya Rutten
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Selected by Surya Rutten

Has over 25 years' experience in Asian art and owned an art gallery.

Estimate  € 220 - € 250
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Description from the seller

Origin. Nigeria
Tribe name. Chamba
Material. Wood
Dimension. 48 cm
Shipping mode: Colissimo within 24-48h. Open.

This sculpture is a remarkable example of the statuary art of the Chamba people, located in the Benue valley region, at the border between Nigeria and Cameroon.

The Chamba statuary is renowned for its minimalist and abstract aesthetics, which distinctly set it apart from the more naturalistic styles of their neighbors.
The Head: It has an ovoid shape with extremely simplified facial features. One can often discern small ears in relief and eyes or a mouth barely suggested.
The Headdress/Top: The most striking element is this tall vertical extension or crown-shaped coiffure, which gives the piece an elongated and majestic silhouette.
The Body: The torso is cylindrical and compact. The arms are sculpted in bas-relief, closely hugging the flanks and often meeting at the lower abdomen or pubis in a gesture of protection or restraint.
The Legs: Typically Chamba, the legs are short, slightly bent, and massive, anchoring the figure in a stable and powerful posture.

Wood: Cut from a hard, dense wood.
Patina: The piece displays a dark patina, crusty in places, suggesting prolonged ritual use. Tool marks (adze) are visible on the surface, adding a raw and authentic texture to the work.
Use and Meaning: The Tau-Wua
These statues, called Tau-Wua, play a crucial role in Chamba cosmology:
Ancestor Worship: They serve as receptacles for the spirits of deceased ancestors. They were generally kept in family or community sanctuaries.
Protection and Guidance: They are consulted to ensure the fertility of the land, the health of the family, or to obtain advice before important decisions.
Twinnedness: In certain contexts, these figures can also represent twins, a strong spiritual theme in many West African cultures.
Note: This piece perfectly embodies the Chamba’s 'withdrawal aesthetics,' where the object's power does not reside in realistic detail but in the tension of the lines and the density of the form.

Origin. Nigeria
Tribe name. Chamba
Material. Wood
Dimension. 48 cm
Shipping mode: Colissimo within 24-48h. Open.

This sculpture is a remarkable example of the statuary art of the Chamba people, located in the Benue valley region, at the border between Nigeria and Cameroon.

The Chamba statuary is renowned for its minimalist and abstract aesthetics, which distinctly set it apart from the more naturalistic styles of their neighbors.
The Head: It has an ovoid shape with extremely simplified facial features. One can often discern small ears in relief and eyes or a mouth barely suggested.
The Headdress/Top: The most striking element is this tall vertical extension or crown-shaped coiffure, which gives the piece an elongated and majestic silhouette.
The Body: The torso is cylindrical and compact. The arms are sculpted in bas-relief, closely hugging the flanks and often meeting at the lower abdomen or pubis in a gesture of protection or restraint.
The Legs: Typically Chamba, the legs are short, slightly bent, and massive, anchoring the figure in a stable and powerful posture.

Wood: Cut from a hard, dense wood.
Patina: The piece displays a dark patina, crusty in places, suggesting prolonged ritual use. Tool marks (adze) are visible on the surface, adding a raw and authentic texture to the work.
Use and Meaning: The Tau-Wua
These statues, called Tau-Wua, play a crucial role in Chamba cosmology:
Ancestor Worship: They serve as receptacles for the spirits of deceased ancestors. They were generally kept in family or community sanctuaries.
Protection and Guidance: They are consulted to ensure the fertility of the land, the health of the family, or to obtain advice before important decisions.
Twinnedness: In certain contexts, these figures can also represent twins, a strong spiritual theme in many West African cultures.
Note: This piece perfectly embodies the Chamba’s 'withdrawal aesthetics,' where the object's power does not reside in realistic detail but in the tension of the lines and the density of the form.

Details

Number of objects
1
Country of Origin
Nigeria
Material
Wood
Sold with stand
Yes
Condition
Good condition
Title of artwork
Statue Chamba
Height
48 cm
Authenticity
Original/official
FranceVerified
New
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