Vase (2) - Amphoras - Onyx, Brass





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Two Ánforas vessels in onyx with brass detailing, Italian design dating to 1950–1960, each 14 cm wide, 23 cm high and 9 cm deep, in excellent condition, styled in Art Nouveau.
Description from the seller
They are two pieces that breathe that mid-century Italian charm where luxury isn’t shouted, but hinted at in the combination of noble materials. Each urn stands on its own mineral weight: bodies of polished onyx, one with more pronounced veining in cream, white and reddish tones, the other more uniform, ivory-toned, almost luminous, as if the stone had been chosen precisely for its chromatic serenity. The polishing lets the depth of the rock show through, that sense of a carved object rather than manufactured.
On that mineral base the metal structures rest, a warm golden brass that doesn’t seek to be the protagonist but to impart a ceremonial air. The mouths and feet are finished with a soft sheen, restrained, and the handles — perhaps the most expressive feature of each piece — unfold into elegant, almost theatrical scrolls, a nod to classicism reinterpreted in a modern key. They are not functional handles, but decorative gestures that balance the verticality of the onyx with a lighter movement.
Altogether, they convey that mix so characteristic of Italian design from the 1950s and 1960s: luxurious materials, forms inspired by antiquity, but with a clean, streamlined line that clearly places them in the twentieth century. They are objects that function both as decorative sculptures and utilitarian pieces, and today they preserve that air of quiet sophistication that only natural stone and metal worked with intention can give.
Tracked shipping and careful packaging.
Seller's Story
Translated by Google TranslateThey are two pieces that breathe that mid-century Italian charm where luxury isn’t shouted, but hinted at in the combination of noble materials. Each urn stands on its own mineral weight: bodies of polished onyx, one with more pronounced veining in cream, white and reddish tones, the other more uniform, ivory-toned, almost luminous, as if the stone had been chosen precisely for its chromatic serenity. The polishing lets the depth of the rock show through, that sense of a carved object rather than manufactured.
On that mineral base the metal structures rest, a warm golden brass that doesn’t seek to be the protagonist but to impart a ceremonial air. The mouths and feet are finished with a soft sheen, restrained, and the handles — perhaps the most expressive feature of each piece — unfold into elegant, almost theatrical scrolls, a nod to classicism reinterpreted in a modern key. They are not functional handles, but decorative gestures that balance the verticality of the onyx with a lighter movement.
Altogether, they convey that mix so characteristic of Italian design from the 1950s and 1960s: luxurious materials, forms inspired by antiquity, but with a clean, streamlined line that clearly places them in the twentieth century. They are objects that function both as decorative sculptures and utilitarian pieces, and today they preserve that air of quiet sophistication that only natural stone and metal worked with intention can give.
Tracked shipping and careful packaging.

