Mask of Justice IKWARA - Gabon





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Description from the seller
Origin. Gabon
Tribe name. Bapunou
Material. Wood
Dimension. 28 cm
Mode of shipment. Colissimo within 24-48h; open upon receipt.
This mask is a fascinating piece of Gabonese traditional art. Although the best-known Punu (or Pounou) masks are the white Okouyi (kaolin-dyed), this black version, often called Ikwara, has symbolism and a function quite distinct.
The Dark Patina: Unlike the white masks associated with the spirits of the dead and benevolence, the black mask is coated with dark or reddish pigments. This color gives it a more mysterious aura, sometimes linked to the realm of justice or nocturnal power.
The Face: It bears the classic features of the Punu people: almond- or coffee-bean-shaped half-closed eyes, a refined nose, and well-drawn full lips, giving the mask a serene, introspective expression.
The Headdress (Liduma): The top is adorned with a complex headdress with a tall central crest, carved with fine grooves that imitate the traditional braids of Punu women.
The Forehead and Temples: Geometric relief motifs are visible (often diamonds or squares formed by nine points). These scarifications, called mabinda, are criteria of beauty and clan belonging. On this mask, the frontal motif is particularly prominent.
The black Ikwara mask typically appears in contexts different from the white mask:
The Twilight: While the white mask goes out in the morning or in broad daylight, the Ikwara often goes out at dusk or during important council sessions.
Justice and Protection: It is historically used by initiates to identify witches, settle social conflicts, or protect the village from malevolent influences.
Dance: The dancer often uses stilts shorter than those of the Okouyi, adopting a more sober and authoritative gestural style.
This type of mask is a beautiful example of the balance between naturalism (human features) and spiritual idealization. The richness of its patina suggests an object that has lived, steeped in time and ritual manipulations.
Origin. Gabon
Tribe name. Bapunou
Material. Wood
Dimension. 28 cm
Mode of shipment. Colissimo within 24-48h; open upon receipt.
This mask is a fascinating piece of Gabonese traditional art. Although the best-known Punu (or Pounou) masks are the white Okouyi (kaolin-dyed), this black version, often called Ikwara, has symbolism and a function quite distinct.
The Dark Patina: Unlike the white masks associated with the spirits of the dead and benevolence, the black mask is coated with dark or reddish pigments. This color gives it a more mysterious aura, sometimes linked to the realm of justice or nocturnal power.
The Face: It bears the classic features of the Punu people: almond- or coffee-bean-shaped half-closed eyes, a refined nose, and well-drawn full lips, giving the mask a serene, introspective expression.
The Headdress (Liduma): The top is adorned with a complex headdress with a tall central crest, carved with fine grooves that imitate the traditional braids of Punu women.
The Forehead and Temples: Geometric relief motifs are visible (often diamonds or squares formed by nine points). These scarifications, called mabinda, are criteria of beauty and clan belonging. On this mask, the frontal motif is particularly prominent.
The black Ikwara mask typically appears in contexts different from the white mask:
The Twilight: While the white mask goes out in the morning or in broad daylight, the Ikwara often goes out at dusk or during important council sessions.
Justice and Protection: It is historically used by initiates to identify witches, settle social conflicts, or protect the village from malevolent influences.
Dance: The dancer often uses stilts shorter than those of the Okouyi, adopting a more sober and authoritative gestural style.
This type of mask is a beautiful example of the balance between naturalism (human features) and spiritual idealization. The richness of its patina suggests an object that has lived, steeped in time and ritual manipulations.
