Antonio Lavorgna - Il Volo Negato





โฌ26 |
|---|
Catawiki Buyer Protection
Your paymentโs safe with us until you receive your object.View details
Trustpilot 4.4 | 134492 reviews
Rated Excellent on Trustpilot.
Antonio Lavorgna, Il Volo Negato, a 2010 contemporary ferro sculpture from the Linea Plasma edition, created with plasma-cut iron and controlled oxidation, measuring 39 ร 50 ร 18 cm in brown and bronze tones, unsigned and in excellent condition.
Description from the seller
๐ TITLE
Fragment 04 โ The Denied Flight
๐ TECHNICAL DATA
Artist: Antonio Lavorgna
Title: The Denied Flight
Technique: Plasma-cut iron, controlled oxidation (hydrogen peroxide), wax setting
Year: 2010
Dimensions:
Base: 20 ร 10.5 cm
Height: 50 cm
Width: 39 cm
Condition: Excellent
Signature: unsigned with certificate of authenticity
๐ DESCRIPTION
This sculpture does not simply represent a rooster.
It is the form of a tension.
Made in plasma-cut iron and oxidized, the work bears on its surface the marks of time and transformation. The oxidation, obtained with hydrogen peroxide and fixed with wax, is not decoration but process: a material that evolves and is halted in its passage.
The rooster, symbol of energy and momentum, here faces its limit.
The wings suggest flight, but the structure holds it back.
The weight at the base becomes a metaphor: the human condition suspended between possibility and inability to act.
The work enters the language of the Transavant-garde, where gesture and symbol dialogue again with matter, but in a contemporary and conceptual key.
It is not a decorative object.
It is a fragment of existential tension given form.
๐ TITLE
Fragment 04 โ The Denied Flight
๐ TECHNICAL DATA
Artist: Antonio Lavorgna
Title: The Denied Flight
Technique: Plasma-cut iron, controlled oxidation (hydrogen peroxide), wax setting
Year: 2010
Dimensions:
Base: 20 ร 10.5 cm
Height: 50 cm
Width: 39 cm
Condition: Excellent
Signature: unsigned with certificate of authenticity
๐ DESCRIPTION
This sculpture does not simply represent a rooster.
It is the form of a tension.
Made in plasma-cut iron and oxidized, the work bears on its surface the marks of time and transformation. The oxidation, obtained with hydrogen peroxide and fixed with wax, is not decoration but process: a material that evolves and is halted in its passage.
The rooster, symbol of energy and momentum, here faces its limit.
The wings suggest flight, but the structure holds it back.
The weight at the base becomes a metaphor: the human condition suspended between possibility and inability to act.
The work enters the language of the Transavant-garde, where gesture and symbol dialogue again with matter, but in a contemporary and conceptual key.
It is not a decorative object.
It is a fragment of existential tension given form.

