Jean-Guy Caumeil (1945–2018) - Sharlyne au studio






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Description from the seller
The proposed photograph is titled "Sharlyne in the studio".
This is an art print on professional Fujifilm museum Crystal DP II photo paper.
Dimensions 30/40 without border.
Limited edition of 10 prints, print 2/10, unframed.
Signed by the author on the back and hand-numbered.
New print just released from the workshop.
Studio du Trident, 1 rue Vial 42000 Saint Etienne France
The certificate of authenticity will be emailed
Jean-Guy Caumeil, photographer, still alive, from Saint Etienne France. Creator of Studio du Trident.
The author develops a style he describes as minimalist; little or no set or accessory, the essential is in capturing an emotion in the model’s posture or gaze. He seeks to strip the scene so that the sign (punctum) is perceived and guides the viewer toward the meaning that the viewer will attribute to the photo. The photograph is not a story or a predetermined meaning to be seen. The photograph does not tell a story, does not advocate, does not deliver a message, and does not impose a point of view. Photography is a gift that allows the viewer to tell their own story, to advocate, and to read their message.
The handling of light is crucial for him, as is the rapport with the model. In this minimalist vein, he began in 2015 a non-exclusive ongoing collaboration with a single model.
The proposed photograph is titled "Sharlyne in the studio".
This is an art print on professional Fujifilm museum Crystal DP II photo paper.
Dimensions 30/40 without border.
Limited edition of 10 prints, print 2/10, unframed.
Signed by the author on the back and hand-numbered.
New print just released from the workshop.
Studio du Trident, 1 rue Vial 42000 Saint Etienne France
The certificate of authenticity will be emailed
Jean-Guy Caumeil, photographer, still alive, from Saint Etienne France. Creator of Studio du Trident.
The author develops a style he describes as minimalist; little or no set or accessory, the essential is in capturing an emotion in the model’s posture or gaze. He seeks to strip the scene so that the sign (punctum) is perceived and guides the viewer toward the meaning that the viewer will attribute to the photo. The photograph is not a story or a predetermined meaning to be seen. The photograph does not tell a story, does not advocate, does not deliver a message, and does not impose a point of view. Photography is a gift that allows the viewer to tell their own story, to advocate, and to read their message.
The handling of light is crucial for him, as is the rapport with the model. In this minimalist vein, he began in 2015 a non-exclusive ongoing collaboration with a single model.
