Karolina Adamowicz - Maki






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
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Karolina Adamowicz's original acrylic painting Maki, 100 × 100 cm, 2023, in neo-impressionist style depicting plants and flowers in red, yellow, blue, green, violet and multicolour; signed, in perfect condition, sold with a frame, from Poland.
Description from the seller
Karolina Adamowicz is a graduate of the Wojciech Gerson Fine Arts High School and the Academy of Fine Arts in Warsaw. For many years she has been involved in interior design, scenography, and television, carrying out numerous projects published in the media. Her experience of working with space, color, and visual narration has strongly influenced her painting language.
Since 2019 she has focused on painting. Living close to nature, she creates acrylic-on-canvas paintings inspired by landscapes that are familiar to her. The artist works with intense colors and light in a free, almost organic manner, building paintings at the edge of abstraction and landscape memory. Her works are not a literal record of reality, but an emotional echo—an impression, a movement, the pulsating energy of nature. Layering, the fluidity of paint, and deliberately leaving room for chance build dynamic compositions open to the viewer’s individual interpretation. The artist’s painting conveys lightness, light, and movement, while also offering calm and contemplation.
Karolina Adamowicz is a graduate of the Wojciech Gerson Fine Arts High School and the Academy of Fine Arts in Warsaw. For many years she has been involved in interior design, scenography, and television, carrying out numerous projects published in the media. Her experience of working with space, color, and visual narration has strongly influenced her painting language.
Since 2019 she has focused on painting. Living close to nature, she creates acrylic-on-canvas paintings inspired by landscapes that are familiar to her. The artist works with intense colors and light in a free, almost organic manner, building paintings at the edge of abstraction and landscape memory. Her works are not a literal record of reality, but an emotional echo—an impression, a movement, the pulsating energy of nature. Layering, the fluidity of paint, and deliberately leaving room for chance build dynamic compositions open to the viewer’s individual interpretation. The artist’s painting conveys lightness, light, and movement, while also offering calm and contemplation.
