Sergio Romero - Estructura

Canvas prepared to be mounted on a 92x65 cm frame. It is delivered in a rigid tube and rolled.

This work is part of a recent pictorial investigation in which automatic gesture, spatial structure, and symbolic repetition become a single visual language. Although at first glance they may seem impulsive or spontaneous, each one stems from a process of observation and refinement derived from a much more architectural and precise previous work, developed for years through markers, linear drawing, and manual construction of space.

In this new series, that precision does not disappear: it transforms.

The line stops behaving solely as contour or structure and begins to act also as energy, rhythm, and physical expansion on the surface. The gesture is released, but an internal system of organization remains. Signs repeat, paths cross, tensions balance, and space is delineated by an invisible architecture that sustains the entire composition.

Each work functions as a mental map in motion: layers of memory, impulses, routes, and emotional structures that coexist within the same plane. The apparent chaos is threaded through by conscious decisions about density, emptiness, balance, saturation, and visual direction.

The repetition of frames, orbits, nerve lines, and circular cores generates a grammar recognizable across the whole series. It is not a matter of accident or pure automatism, but of an investigation into how to translate thought, tension, and sensitivity into a contemporary pictorial script.

Acrylic paint here replaces part of the rigidity of technical drawing with a more corporal and physical presence. The work is no longer merely built: it also happens. The stroke preserves the memory of movement, of time and of direct gesture, always maintaining the same visual signature that defines the entire body of the research.

These pieces oscillate between:

drawing and painting,
control and expansion,
architecture and automatism,
writing and abstraction.

The result is a series that proposes a distinct visual language, where gestural intensity coexists with a rigorous internal structure and where each composition acts as a direct extension of a mental, emotional, and spatial system in permanent transformation.