Sergio Romero - Sistema Orbital

Canvas prepared to be mounted on a 92x65 cm frame. It is delivered in a rigid tube and rolled up.

This work is part of a recent pictorial research in which automatic gesture, spatial structure, and symbolic repetition become a single visual language. Although at first glance they may seem impulsive or spontaneous, each one arises from a process of observation and refinement stemming from a much more architectural and precise previous work, developed over years through markers, linear drawing, and manual construction of space.

In this new series, that precision does not disappear: it transforms.

The line stops behaving solely as contour or structure and begins to act also as energy, rhythm, and physical expansion on the surface. The gesture is released, but an internal system of organization remains. Signs repeat, paths cross, tensions balance, and space is delimited by an invisible architecture that holds the entire composition.

Each work functions as a mental map in motion: layers of memory, impulses, paths, and emotional structures that coexist within the same plane. Apparent chaos is traversed by conscious decisions about density, void, balance, saturation, and visual direction.

The repetition of frames, orbits, nervous lines, and circular cores generates a recognizable grammar throughout the series. This is not about accident or pure automatism, but about an investigation into how to translate thought, tension, and sensitivity into a contemporary pictorial writing.

Acrylic paint here replaces part of the rigidity of technical drawing with a more corporeal and physical presence. The work is no longer only constructed: it also happens. The stroke preserves the memory of movement, time, and direct gesture, always maintaining the same visual signature that defines the whole body of the research.

These pieces oscillate between:

- drawing and painting,
- control and expansion,
- architecture and automatism,
- writing and abstraction.

The result is a series that proposes its own visual language, where gestural intensity coexists with a rigorous internal structure and where each composition acts as a direct extension of a mental, emotional, and spatial system in permanent transformation.