PANCHO PORTO (1988) - BAD DOG






Over 10 years' experience in art trade and previously founded his own gallery.
€290 | ||
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€250 | ||
€150 |
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Pancho Porto (1988) presents BAD DOG, a limited edition bronze sculpture (edition 18–25) dated 2024, patinated bronze, hand-signed by the artist, with dimensions 20 x 10 x 10 cm and weight 2 kg, originating from Spain, in excellent condition and accompanied by a certificate of authenticity.
Description from the seller
Limited edition sculpture in a run of 25 pieces, in bronze and corten steel, created by the Spanish sculptor Pancho Porto.
The sculpture is delivered hand-signed and numbered, accompanied by its respective certificate of authenticity.
The sculpture is in new condition; shipping is carried out within a maximum of 2 days, and the sculpture is delivered perfectly packaged.
Pancho Porto (Santiago de Compostela, 1988), began his training in the specialty of artistic cabinetmaking at the Antonio Failde center in Ourense. At this school he has his first contact with disciplines such as carving, drawing, and modeling, and, most importantly, with workshop work.
Later he enrolls at the Mestre Mateo School of Arts and Trades in Santiago de Compostela, where he studies what will in the future be his main discipline: sculpture. It is at this school that he already works with materials that will be basic in his work, such as steel or clay. Parallel, Porto continues his training independently and investigates other materials such as bronze or resins and their multiple uses and finishes, leaning toward the use of bronze and steel as the definitive materials for his works.
After this initial training phase, he decides to install his studio on the banks of the Sarela river, very close to where he was born. It is here that he begins his particular theoretical and practical investigation of the relationship between the materials used in each work and the message they convey. This leads him to seek new proposals when communicating and narrating his story. Since then, this has been the usual mode of his works, thus adding complexity and background to the whole of his output, with themes that touch both the social sphere and his personal experiences.
Exhibitions:
Collective Kaleidoscope exhibitions (2012-2013)
- Auditorio Cangas do Morrazo.
- Casa da Cultura de Porto do Son
- Liceo de Noia
- Auditorio Lalín
Individual exhibitions 2017
- Exposición No Solo Historias, Santiago de Compostela (galería Campus Stellae)
Public Work
Feet at the End of the Path, Plaza da Quintana, Santiago de Compostela.
Limited edition sculpture in a run of 25 pieces, in bronze and corten steel, created by the Spanish sculptor Pancho Porto.
The sculpture is delivered hand-signed and numbered, accompanied by its respective certificate of authenticity.
The sculpture is in new condition; shipping is carried out within a maximum of 2 days, and the sculpture is delivered perfectly packaged.
Pancho Porto (Santiago de Compostela, 1988), began his training in the specialty of artistic cabinetmaking at the Antonio Failde center in Ourense. At this school he has his first contact with disciplines such as carving, drawing, and modeling, and, most importantly, with workshop work.
Later he enrolls at the Mestre Mateo School of Arts and Trades in Santiago de Compostela, where he studies what will in the future be his main discipline: sculpture. It is at this school that he already works with materials that will be basic in his work, such as steel or clay. Parallel, Porto continues his training independently and investigates other materials such as bronze or resins and their multiple uses and finishes, leaning toward the use of bronze and steel as the definitive materials for his works.
After this initial training phase, he decides to install his studio on the banks of the Sarela river, very close to where he was born. It is here that he begins his particular theoretical and practical investigation of the relationship between the materials used in each work and the message they convey. This leads him to seek new proposals when communicating and narrating his story. Since then, this has been the usual mode of his works, thus adding complexity and background to the whole of his output, with themes that touch both the social sphere and his personal experiences.
Exhibitions:
Collective Kaleidoscope exhibitions (2012-2013)
- Auditorio Cangas do Morrazo.
- Casa da Cultura de Porto do Son
- Liceo de Noia
- Auditorio Lalín
Individual exhibitions 2017
- Exposición No Solo Historias, Santiago de Compostela (galería Campus Stellae)
Public Work
Feet at the End of the Path, Plaza da Quintana, Santiago de Compostela.
