Anna Barone - On My Skin - Triptych






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
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Anna Barone's On My Skin - Triptych is an original three-panel acrylic and mixed-media painting of a marine landscape, in blue, turquoise, white and gold tones, with panels 36×36 cm, 25×25 cm and 19×19 cm (36×80 cm total), signed on the front and back, with a certificate of authenticity, in excellent condition and sold directly by the artist.
Description from the seller
ON MY SKIN (Blue Triptych)
- Title: On My Skin - I, II, III
- Series: Suspended Horizons – Presences
- Technique: Original triptych composed of three canvases created with acrylic and mixed media on cotton canvas
- Dimensions: three canvases: 36×36 cm, 25×25 cm, 19×19 cm respectively - 36x80 in total (overall size variable depending on installation).
- Mounting: The works are already mounted on a stretcher and ready to hang.
- Condition: excellent
- Signature: front and back hand-signed by the artist
- Certificate of authenticity: included
Description:
This triptych belongs to the series Suspended Horizons, and in particular to the branch Presences, in which painting becomes more concrete, physical, attraversata by a tension between surface and depth.
The three canvases, designed as a unitary whole yet viewable individually, develop through stratifications, glazes, and material interventions that build a living surface, almost epidermal. The color densifies and opens into light zones, creating a balance between immersion and breath.
The golden accents, realized in acrylic, emerge as traces integrated into the painting matter, contributing to create vibration without ever becoming a decorative element.
On My Skin evokes a direct, sensory perception: painting as contact, as a surface that holds and returns experience. An inner landscape that is not merely observed, but perceived.
Unique work.
The colors may vary slightly depending on the screen.
Project Statement
Suspended Horizons
This work belongs to my artistic path dedicated to Suspended Horizons, a research born from the encounter between water and intuition. In these canvases, the fluid matter shapes interior landscapes: imagined visions that do not represent real places, but states of mind, perceptual thresholds, and fragments of ephemeral beauty.
The surface develops through light stratifications, transparencies, and rarefied fields, evoking silence, waiting, and the breath of a suspended time. In some works, essential signs emerge — stylized blooms, floating corollas, reflected trees — symbolic presences that amplify the meditative and dreamlike dimension without imposing a defined narrative.
The series forms a process in becoming, open to gestural and formal variations, faithful to a poetics of non-saying and threshold. Within this research three expressive modalities take shape, which are not closed categories but movements of the same inquiry.
- Evanescences -
In the "Evanescences" the matter dissolves and withdraws. The image appears as a distant memory, a barely grasped vision, in which the landscape becomes rarefied, unstable, suspended between presence and disappearance.
- Presences -
In "Presences" the painting thickens and takes shape. The matter emerges with greater intensity, while maintaining a dreamy quality, like a form that reveals itself without ever fully defining itself.
- Apparitions -
In the "Apparitions" light emerges from dark depths. Space becomes more gathered, and the horizon becomes a distant threshold, a direction toward which the gaze tends, guided by a luminous presence that manifests and withdraws at the same time.
Artist Statement
My work explores the fluid nature of water and its ability to generate forms, movement, and light.
Through the use of watercolors, acrylics, inks, and glazes, I translate this energy into abstract visions that bring silence, mystery, and introspection.
I paint interior landscapes: suspended horizons, reflections, blooms. Images that do not represent real places, but perceptual states hovering between appearance and dissolution.
I let water guide the process, embracing imperfections and fleeting traces as an essential part of the work.
My research moves between lightness and matter, keeping an open space for interpretation.
Each work invites you to slow down and breathe with your eyes.
Additional information:
Original work signed by hand on the front and/or back
Coated with anti-yellowing varnish.
Certificate of authenticity included
Condition: excellent
Safe and tracked shipping.
Professional packaging in cardboard box.
The canvases have painted edges, 2 cm thick, already mounted on a frame and ready to hang.
N.B.
Original colors may differ slightly from the photos due to screen settings.
Ambient photos are simulations that do not always faithfully reflect the actual dimensions of the work, so please rely on the measurements reported in the description.
Provenance
Directly from the artist
Italy
Anna Barone (Nanako)
Year 2000 Diploma of Master of Arts
Year 2002 Diploma in Advertising Graphics and Photography
Years 2020+ Exhibitions and sales in Naples and Rome
Ongoing collaboration with Galleria di Roma
ON MY SKIN (Blue Triptych)
- Title: On My Skin - I, II, III
- Series: Suspended Horizons – Presences
- Technique: Original triptych composed of three canvases created with acrylic and mixed media on cotton canvas
- Dimensions: three canvases: 36×36 cm, 25×25 cm, 19×19 cm respectively - 36x80 in total (overall size variable depending on installation).
- Mounting: The works are already mounted on a stretcher and ready to hang.
- Condition: excellent
- Signature: front and back hand-signed by the artist
- Certificate of authenticity: included
Description:
This triptych belongs to the series Suspended Horizons, and in particular to the branch Presences, in which painting becomes more concrete, physical, attraversata by a tension between surface and depth.
The three canvases, designed as a unitary whole yet viewable individually, develop through stratifications, glazes, and material interventions that build a living surface, almost epidermal. The color densifies and opens into light zones, creating a balance between immersion and breath.
The golden accents, realized in acrylic, emerge as traces integrated into the painting matter, contributing to create vibration without ever becoming a decorative element.
On My Skin evokes a direct, sensory perception: painting as contact, as a surface that holds and returns experience. An inner landscape that is not merely observed, but perceived.
Unique work.
The colors may vary slightly depending on the screen.
Project Statement
Suspended Horizons
This work belongs to my artistic path dedicated to Suspended Horizons, a research born from the encounter between water and intuition. In these canvases, the fluid matter shapes interior landscapes: imagined visions that do not represent real places, but states of mind, perceptual thresholds, and fragments of ephemeral beauty.
The surface develops through light stratifications, transparencies, and rarefied fields, evoking silence, waiting, and the breath of a suspended time. In some works, essential signs emerge — stylized blooms, floating corollas, reflected trees — symbolic presences that amplify the meditative and dreamlike dimension without imposing a defined narrative.
The series forms a process in becoming, open to gestural and formal variations, faithful to a poetics of non-saying and threshold. Within this research three expressive modalities take shape, which are not closed categories but movements of the same inquiry.
- Evanescences -
In the "Evanescences" the matter dissolves and withdraws. The image appears as a distant memory, a barely grasped vision, in which the landscape becomes rarefied, unstable, suspended between presence and disappearance.
- Presences -
In "Presences" the painting thickens and takes shape. The matter emerges with greater intensity, while maintaining a dreamy quality, like a form that reveals itself without ever fully defining itself.
- Apparitions -
In the "Apparitions" light emerges from dark depths. Space becomes more gathered, and the horizon becomes a distant threshold, a direction toward which the gaze tends, guided by a luminous presence that manifests and withdraws at the same time.
Artist Statement
My work explores the fluid nature of water and its ability to generate forms, movement, and light.
Through the use of watercolors, acrylics, inks, and glazes, I translate this energy into abstract visions that bring silence, mystery, and introspection.
I paint interior landscapes: suspended horizons, reflections, blooms. Images that do not represent real places, but perceptual states hovering between appearance and dissolution.
I let water guide the process, embracing imperfections and fleeting traces as an essential part of the work.
My research moves between lightness and matter, keeping an open space for interpretation.
Each work invites you to slow down and breathe with your eyes.
Additional information:
Original work signed by hand on the front and/or back
Coated with anti-yellowing varnish.
Certificate of authenticity included
Condition: excellent
Safe and tracked shipping.
Professional packaging in cardboard box.
The canvases have painted edges, 2 cm thick, already mounted on a frame and ready to hang.
N.B.
Original colors may differ slightly from the photos due to screen settings.
Ambient photos are simulations that do not always faithfully reflect the actual dimensions of the work, so please rely on the measurements reported in the description.
Provenance
Directly from the artist
Italy
Anna Barone (Nanako)
Year 2000 Diploma of Master of Arts
Year 2002 Diploma in Advertising Graphics and Photography
Years 2020+ Exhibitions and sales in Naples and Rome
Ongoing collaboration with Galleria di Roma
