Meriem Delacroix - Mioclonia






Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
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Meriem Delacroix presents Mioclonia, a 2025 mixed media painting in acrylic with white, black and multicolour tones, 50 x 50 cm, original edition, hand-signed, in excellent condition, produced in France and sold directly by the artist, sold with frame.
Description from the seller
Myoclonus is a sudden, brief, involuntary muscle jerk. It feels like a quick twitch or jolt and can affect one muscle or a group of muscles. A common example is the body jerk some people experience while falling asleep.
My work begins with synesthetic perception.
Sound, smell, texture, movement, and emotion merge together and become part of the visual structure of the painting.
I work through layers, allowing multiple sensory reactions, moments, and perspectives to coexist on the same surface. Music can influence shape and rhythm, smells can alter atmosphere and color relationships, while memory and physical sensation become integrated into the composition itself.
The process is intuitive but consistent: I translate sensory perception into visual language through texture, movement, accumulation, and spatial layering.
Rather than representing reality from a single fixed perspective, the work attempts to hold several dimensions of the same experience at once.
Seller's Story
Myoclonus is a sudden, brief, involuntary muscle jerk. It feels like a quick twitch or jolt and can affect one muscle or a group of muscles. A common example is the body jerk some people experience while falling asleep.
My work begins with synesthetic perception.
Sound, smell, texture, movement, and emotion merge together and become part of the visual structure of the painting.
I work through layers, allowing multiple sensory reactions, moments, and perspectives to coexist on the same surface. Music can influence shape and rhythm, smells can alter atmosphere and color relationships, while memory and physical sensation become integrated into the composition itself.
The process is intuitive but consistent: I translate sensory perception into visual language through texture, movement, accumulation, and spatial layering.
Rather than representing reality from a single fixed perspective, the work attempts to hold several dimensions of the same experience at once.
