Trevisan Carlo - Vamity






Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
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Carlo Trevisan presents Vamity, an oil on canvas of 25x25 cm mounted on a white passepartout with a wooden frame, final size 33x33x3 cm, hand-signed, original edition from 2026, depicting pop culture in a surrealist style.
Description from the seller
The work is a square-format oil painting on canvas that presents a strong visual and symbolic contrast. At the center of the composition, on a deep, uniform black background, is depicted the frontal skull of an bovine (probably a bison or a bull). The skull is painted with careful realism to the textures of aged bone and features imposing dark horns that curve upward, occupying much of the upper portion.
To add a touch of color and vitality to the macabre scene, there are two butterflies. A brightly colored monarch butterfly (orange and black with white spots) flies high to the upper right, near the tip of a horn, while a second similar butterfly is positioned lower left, balancing the composition.
The title "VANITY" (Vanità) and the juxtaposition of the skull (a symbol of death and memento mori) with the butterflies (often symbols of life, transformation, and ephemeral beauty) suggest a reflection on the transient nature of existence and the superficial concerns of worldly life.
Oil on cotton canvas 25x25 cm mounted on a passepartout and white wooden frame, final dimensions 33x33x3 cm, ready to be hung.
The work is a square-format oil painting on canvas that presents a strong visual and symbolic contrast. At the center of the composition, on a deep, uniform black background, is depicted the frontal skull of an bovine (probably a bison or a bull). The skull is painted with careful realism to the textures of aged bone and features imposing dark horns that curve upward, occupying much of the upper portion.
To add a touch of color and vitality to the macabre scene, there are two butterflies. A brightly colored monarch butterfly (orange and black with white spots) flies high to the upper right, near the tip of a horn, while a second similar butterfly is positioned lower left, balancing the composition.
The title "VANITY" (Vanità) and the juxtaposition of the skull (a symbol of death and memento mori) with the butterflies (often symbols of life, transformation, and ephemeral beauty) suggest a reflection on the transient nature of existence and the superficial concerns of worldly life.
Oil on cotton canvas 25x25 cm mounted on a passepartout and white wooden frame, final dimensions 33x33x3 cm, ready to be hung.
