Michael Joseph (1941-) - Walking le dog, 1960s
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Selected by Kai Brückner
Over 35 years' experience; former gallery owner and Museum Folkwang curator.
Estimate € 400 - € 500
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Description from the seller
Michael Joseph (1941– ) – Walking Le Dog, London, c.1960s
Unique Hand-Printed Silver Gelatin Darkroom Print
Hand-titled and signed by the photographer
Photographer: Michael Joseph (b. 1941)
Medium: Original one-off silver gelatin darkroom print from the original negative
Date: London, early 1960s (bearing the photographer's Harley Street studio stamp, dating from the period before his move to West Central Street)
Signature: Hand-signed and titled by the artist
Provenance: Directly from the photographer's personal archive
Some photographs simply record a moment.
Others quietly transform it into an icon.
Walking Le Dog is unquestionably one of Michael Joseph's most memorable early compositions. Photographed from an audacious low viewpoint, the image elevates an everyday stroll into a portrait of poise, power and presence. A statuesque woman stands against an expansive sky while, in the foreground, an imposing Afghan Hound commands the composition, its magnificent coat cascading through the frame with remarkable texture and tonal richness.
The handwritten title - Walking Le Dog - perfectly encapsulates Joseph's playful personality. Blending French chic with a knowing visual joke, it transforms an ordinary scene into something effortlessly fashionable, revealing the wit and irreverence that would later become hallmarks of his celebrated advertising career.
Produced during the early 1960s, before many of his internationally acclaimed commissions, the photograph already displays the visual vocabulary that would define his work: bold perspective, graphic geometry, sculptural silhouettes and carefully choreographed relationships between people and animals. Every element is deliberate, yet the photograph retains an effortless elegance that feels entirely spontaneous.
Hand-printed by Michael Joseph in his own darkroom from the original negative, this is not a later reproduction but a genuine one-off vintage silver gelatin print, personally titled and signed by the photographer. Preserved within his private archive for decades before being released by his daughter, Justine Joseph, it represents a rare opportunity to acquire an authentic work created entirely by the artist's own hands.
Collectors may recognise echoes of Norman Parkinson's elegance or Richard Avedon's graphic confidence, yet Joseph's cinematic eye and mischievous humour remain unmistakably his own. The sweeping silhouette of the Afghan Hound, set against the uncluttered sky, creates an image that is simultaneously stylish, sculptural and strikingly timeless.
Presented within a clean conservation mount, the photograph is ready for framing or exhibition.
Condition
Very good overall condition for an original silver gelatin print now more than sixty years old. The photograph retains excellent tonal depth and surface quality. Close examination reveals a few gentle signs of age and handling consistent with its vintage nature. Along the right-hand edge, the thick fibre-based photographic paper exhibits a slight undulation or waviness, a natural characteristic often encountered in hand-processed darkroom prints of this period and entirely consistent with their age and traditional manufacture. This subtle movement in the paper should be regarded as part of the print's authentic vintage character rather than a flaw. The reverse retains the original Harley Street studio stamp together with historic mounting tape, further reinforcing its provenance and working history.
Why collect this work?
Unique: Genuine one-off silver gelatin darkroom print, hand-produced by Michael Joseph.
Signed & titled: Personally inscribed by the photographer.
Early work: A rare photograph from the formative years of Joseph's career.
Direct provenance: Released directly from the Michael Joseph family archive.
Authentic analogue print: An original darkroom photograph - not a later digital reproduction.
Highly collectable: By the photographer behind the legendary Beggars Banquet session with The Rolling Stones and iconic campaigns for Nivea, White Horse, Schweppes, Nike and many other international brands.
Elegant, witty and wonderfully composed, Walking Le Dog captures the style, spirit and sophistication of 1960s London while celebrating the enduring beauty of traditional silver gelatin printing. It is both a captivating work of art and an exceptionally rare survivor from Michael Joseph's own darkroom - a photograph that has remained unseen for more than half a century before emerging from the family archive.
Mount size: 50 cm high × 40 cm wide.
#MichaelJoseph #WalkingLeDog #SilverGelatin #OriginalDarkroomPrint #VintagePhotography #1960sPhotography #BritishPhotography #AfghanHound #SignedPhotograph #UniquePrint #FineArtPhotography #AnaloguePhotography #PhotographyCollectors #FamilyArchive #BeggarsBanquet
Seller's Story
My father, Michael Joseph, was a London-based advertising photographer from the mid-1960s to the early 1990s. Over those decades, he produced an extraordinary body of work—his most widely recognised image being the iconic Beggars Banquet gatefold for the Rolling Stones.
My ongoing mission is to share and celebrate what we call “the other photos”: the lesser-known but no less compelling images from his archive. These are the works that lived beyond the headlines—test prints, alternative frames from major shoots, and quieter, more personal photographs, all made with his characteristic intensity, discipline, and devotion to craft.
Much of their atmosphere comes from the darkroom itself. These are photographs shaped by light, timing, and handwork: intricate group compositions, sculptural still lifes, and moments that invite the viewer to linger and look again. Variety is central to the archive, and I frequently offer unique, one-off pieces that exist nowhere else.
I hope you enjoy discovering my father’s work as much as I enjoy sharing it, and that you find here not just an image, but a genuine piece of photographic history.
All works are dispatched carefully protected, and packed with devotion and care, appropriate to a one-off historical photographic print.
US purchasers please note: Customs and excise charges are paid at source and included in the postage fee. No further charges should be due on delivery, unless regulations change.
Michael Joseph (1941– ) – Walking Le Dog, London, c.1960s
Unique Hand-Printed Silver Gelatin Darkroom Print
Hand-titled and signed by the photographer
Photographer: Michael Joseph (b. 1941)
Medium: Original one-off silver gelatin darkroom print from the original negative
Date: London, early 1960s (bearing the photographer's Harley Street studio stamp, dating from the period before his move to West Central Street)
Signature: Hand-signed and titled by the artist
Provenance: Directly from the photographer's personal archive
Some photographs simply record a moment.
Others quietly transform it into an icon.
Walking Le Dog is unquestionably one of Michael Joseph's most memorable early compositions. Photographed from an audacious low viewpoint, the image elevates an everyday stroll into a portrait of poise, power and presence. A statuesque woman stands against an expansive sky while, in the foreground, an imposing Afghan Hound commands the composition, its magnificent coat cascading through the frame with remarkable texture and tonal richness.
The handwritten title - Walking Le Dog - perfectly encapsulates Joseph's playful personality. Blending French chic with a knowing visual joke, it transforms an ordinary scene into something effortlessly fashionable, revealing the wit and irreverence that would later become hallmarks of his celebrated advertising career.
Produced during the early 1960s, before many of his internationally acclaimed commissions, the photograph already displays the visual vocabulary that would define his work: bold perspective, graphic geometry, sculptural silhouettes and carefully choreographed relationships between people and animals. Every element is deliberate, yet the photograph retains an effortless elegance that feels entirely spontaneous.
Hand-printed by Michael Joseph in his own darkroom from the original negative, this is not a later reproduction but a genuine one-off vintage silver gelatin print, personally titled and signed by the photographer. Preserved within his private archive for decades before being released by his daughter, Justine Joseph, it represents a rare opportunity to acquire an authentic work created entirely by the artist's own hands.
Collectors may recognise echoes of Norman Parkinson's elegance or Richard Avedon's graphic confidence, yet Joseph's cinematic eye and mischievous humour remain unmistakably his own. The sweeping silhouette of the Afghan Hound, set against the uncluttered sky, creates an image that is simultaneously stylish, sculptural and strikingly timeless.
Presented within a clean conservation mount, the photograph is ready for framing or exhibition.
Condition
Very good overall condition for an original silver gelatin print now more than sixty years old. The photograph retains excellent tonal depth and surface quality. Close examination reveals a few gentle signs of age and handling consistent with its vintage nature. Along the right-hand edge, the thick fibre-based photographic paper exhibits a slight undulation or waviness, a natural characteristic often encountered in hand-processed darkroom prints of this period and entirely consistent with their age and traditional manufacture. This subtle movement in the paper should be regarded as part of the print's authentic vintage character rather than a flaw. The reverse retains the original Harley Street studio stamp together with historic mounting tape, further reinforcing its provenance and working history.
Why collect this work?
Unique: Genuine one-off silver gelatin darkroom print, hand-produced by Michael Joseph.
Signed & titled: Personally inscribed by the photographer.
Early work: A rare photograph from the formative years of Joseph's career.
Direct provenance: Released directly from the Michael Joseph family archive.
Authentic analogue print: An original darkroom photograph - not a later digital reproduction.
Highly collectable: By the photographer behind the legendary Beggars Banquet session with The Rolling Stones and iconic campaigns for Nivea, White Horse, Schweppes, Nike and many other international brands.
Elegant, witty and wonderfully composed, Walking Le Dog captures the style, spirit and sophistication of 1960s London while celebrating the enduring beauty of traditional silver gelatin printing. It is both a captivating work of art and an exceptionally rare survivor from Michael Joseph's own darkroom - a photograph that has remained unseen for more than half a century before emerging from the family archive.
Mount size: 50 cm high × 40 cm wide.
#MichaelJoseph #WalkingLeDog #SilverGelatin #OriginalDarkroomPrint #VintagePhotography #1960sPhotography #BritishPhotography #AfghanHound #SignedPhotograph #UniquePrint #FineArtPhotography #AnaloguePhotography #PhotographyCollectors #FamilyArchive #BeggarsBanquet
Seller's Story
My father, Michael Joseph, was a London-based advertising photographer from the mid-1960s to the early 1990s. Over those decades, he produced an extraordinary body of work—his most widely recognised image being the iconic Beggars Banquet gatefold for the Rolling Stones.
My ongoing mission is to share and celebrate what we call “the other photos”: the lesser-known but no less compelling images from his archive. These are the works that lived beyond the headlines—test prints, alternative frames from major shoots, and quieter, more personal photographs, all made with his characteristic intensity, discipline, and devotion to craft.
Much of their atmosphere comes from the darkroom itself. These are photographs shaped by light, timing, and handwork: intricate group compositions, sculptural still lifes, and moments that invite the viewer to linger and look again. Variety is central to the archive, and I frequently offer unique, one-off pieces that exist nowhere else.
I hope you enjoy discovering my father’s work as much as I enjoy sharing it, and that you find here not just an image, but a genuine piece of photographic history.
All works are dispatched carefully protected, and packed with devotion and care, appropriate to a one-off historical photographic print.
US purchasers please note: Customs and excise charges are paid at source and included in the postage fee. No further charges should be due on delivery, unless regulations change.
Details
Date of print
1964
Artist
Michael Joseph (1941-)
Sold by
Owner or reseller
Title of artwork
Walking le dog, 1960s
Condition
Original State
Technique
Gelatin-silver print
Height
28 cm
Edition
Darkroom print from year of photo
Width
26 cm
Signature
Hand signed
Genre
Fashion
Sold by
