Joan Miro (1893-1983) - Parler Seul - Lithographic print

Joan Miró Lithograph (*)
This work reproduces one of the illustrations originally created by Miró to illustrate the book of poems “Parler Seul” (**) (Speaking Only), written by Tristan Tzara in 1947.
Edited by Maeght Éditeur in 2004.
Made on high-grade cotton vellum paper.
Signed on the plate.
Publisher’s seal and Miró’s Estate seal on the reverse of the sheet.
Includes Certificate of Authenticity (COA).

Specifications:

- Support dimensions: 60 x 45 cm
- Image dimensions: 42 x 33 cm
- Year 2004
- Edition: 1000 copies
- References: Cramer 17. Rauch 165
- Condition: Excellent (this work has never been framed or exhibited, and has always been kept in a professional art folder, thus in perfect condition).

The work will be carefully handled and packed in a reinforced flat cardboard package. The shipment will be certified with a tracking number.

The shipment will also include full insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.

(*) Joan Miró (1893-1983) was born in Barcelona, where he grew up and began his artistic studies. He attended the La Llotja academy against his parents’ wishes, who wanted him to work in a more traditional way. Later he studied at the Escola d'Art de Francesc Galí and met the Fauves and the Cubists. His emotional landscapes, which shaped him as a person and as an artist, are essentially Mont-roig, Paris, Mallorca and later New York and Japan. Mont-roig, a small town in the Baix Camp comarca, would be the counterpoint to the intellectual turmoil he experienced in Paris, where he moved in the twenties with the surrealist poets and the most creative artists of his time. There he came to know Arp, Magritte, Brancusi and Giacometti and exhibited with Dalí, Tanguy, Meret Oppenheim and Max Ernst in several exhibitions on Dadaism and Surrealism.
The stimulus of abstract expressionism was discovered in New York in the forties. Later, in 1956, amid World War II, Joan Miró would leave his exile in France and settle in Palma de Mallorca, a place of refuge and work, where his friend Josep Lluís Sert would design the workshop he had always dreamed of. There he focused on sculpture and ceramic work, until his death in 1983.
Rooted first in the landscape of Mont-roig and then of Mallorca, this would be determinant in his oeuvre. The bond with the land and the interest in everyday objects and the natural surroundings would form the background of some of his technical and formal investigations. Miró fled academicism, in perpetual search of a global and pure work, not affiliated with any particular movement. Content in the forms and in public manifestations, it is through the plastic act that Joan Miró shows his rebelliousness and a strong sensitivity to the political and social events that surround him. This clash of forces led him to create a unique and highly personal language that places him as one of the most influential artists of the 20th century.

(**) “Parler Seul” represents a particularly effective collaboration between artist and author. Miró’s brilliantly spontaneous and amorphous images, drawn directly on stone with very few preparatory sketches, have the inventive brio of Tzara’s random verses.
The original edition was by Maeght Éditeur and consists of 72 original Miró lithographs, 49 of them in color, of which 18 are hors-texte. (*) Joan Miró (1893-1983) was born in Barcelona, where he grew up and began his artistic studies. He attended the La Llotja academy against his parents’ wishes, who wanted him to work in a more traditional way. Later he studied at the Escola d'Art de Francesc Galí and met the Fauves and the Cubists.
His emotional landscapes, which would shape him as a person and as an artist, are essentially Mont-roig, Paris, Mallorca and later New York and Japan. Mont-roig, a small town in the Baix Camp comarca, would be the counterpoint to the intellectual turmoil he experienced in Paris, where he moved in the twenties with surrealist poets and the most creative artists of his time. There he came to know Arp, Magritte, Brancusi and Giacometti and exhibited with Dalí, Tanguy, Meret Oppenheim and Max Ernst in several exhibitions on Dadaism and Surrealism.
The impulse of abstract expressionism he discovered in New York in the forties. Later, in 1956, in the midst of World War II, Joan Miró would leave his exile in France and settle in Palma de Mallorca, a refuge and work space, where his friend Josep Lluís Sert would design the workshop he had always dreamed of. There he focused on the work of sculptures and ceramics, until his death in 1983.
Rooted first in the landscape of Mont-roig and then in Mallorca, this would be determinant in his oeuvre. The bond with the land and the interest in everyday objects and the surrounding environment would form the background of some of his technical and formal investigations. Miró fled academia, in the constant pursuit of a global and pure work, not attached to any determined movement. Content in the forms and in public manifestations, it is through the plastic act that Joan Miró shows his rebellion and a great sensitivity to the political and social events that surround him. This clash of forces would lead him to create a unique and highly personal language that places him as one of the most influential artists of the 20th century.

(**) “Parler Seul” represents a particularly effective collaboration between artist and author. Miró’s brilliantly spontaneous and amorphous images, drawn directly on stone with very few preparatory sketches, have the inventive brio of Tzara’s random verses.
The original edition was by Maeght Editeur and consists of 72 original Miró lithographs, 49 of them in color, of which 18 are hors-texte.