Mark Rothko (after) - Maroon on Blue - Offset lithography - VG licensed print - 2004






Eight years experience valuing posters, previously valuer at Balclis, Barcelona.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 137094 reviews
Rated Excellent on Trustpilot.
Offset lithograph after Mark Rothko, titled "Maroon on Blue", size 80 × 60 cm, produced in 2004, in excellent condition and VG licensed print.
Description from the seller
Offset Lithography after Mark Rothko (*)
Reproduction of the work “Maroon on Blue” created by Rothko in 1957,
Printed on thick Fine Art 200g cardboard
Published by VG Bild-Kunst, Bonn in 2004.
Print authorized with copyright by Kate Rothko-Prizel & Christopher Rothko.
Large format.
- Sheet dimensions: 80 x 60 cm
- Year: 2004
- Condition: Excellent (this work has never been framed or exhibited, always kept in a professional art folder, and thus remains in perfect condition).
- Provenance: Private collection.
The work will be carefully handled and packed in reinforced cardboard packaging. Shipping will be tracked with a tracking number.
The shipment will also include transport insurance for the final value of the artwork with full reimbursement in case of loss or damage, at no cost to the buyer.
(*) Mark Rothko, along with Pollock, was one of the foremost representatives of American abstraction. With his painting he aimed to achieve an ambitious utopia: to express the most basic universal emotions. And for many he did it.
Mark Rothko (Markus Rothko¹) was born in Russia. From an evidently Jewish family, he emigrated to Oregon in 1910, probably fleeing the antisemitism that drove so many minds away.
He studied art in the 1920s, but considered himself self-taught. Before World War II he cultivated expressionist figuration and absorbed the spirit of the vanguards he saw in exhibitions organized by the MoMA.
After the war he began to investigate color field painting, gradually abandoning all figurative references, and in the 1950s, with abstract expressionism already established, he began the personal abstraction that would define his painting ever since.
Rothko's works, enormous, show wide rectangular fields of color with undefined boundaries between them. They are blurred colors, floating suspended on the canvas, stimulating quite fascinating mystical sensations.
From there, Mark Rothko would become an institution of American art. Protected by Peggy Guggenheim, his successes would be notable. But by the late 1960s, amid a depressive crisis, and after painting his series of works with black acrylic, he would end up taking his own life.
Seller's Story
Offset Lithography after Mark Rothko (*)
Reproduction of the work “Maroon on Blue” created by Rothko in 1957,
Printed on thick Fine Art 200g cardboard
Published by VG Bild-Kunst, Bonn in 2004.
Print authorized with copyright by Kate Rothko-Prizel & Christopher Rothko.
Large format.
- Sheet dimensions: 80 x 60 cm
- Year: 2004
- Condition: Excellent (this work has never been framed or exhibited, always kept in a professional art folder, and thus remains in perfect condition).
- Provenance: Private collection.
The work will be carefully handled and packed in reinforced cardboard packaging. Shipping will be tracked with a tracking number.
The shipment will also include transport insurance for the final value of the artwork with full reimbursement in case of loss or damage, at no cost to the buyer.
(*) Mark Rothko, along with Pollock, was one of the foremost representatives of American abstraction. With his painting he aimed to achieve an ambitious utopia: to express the most basic universal emotions. And for many he did it.
Mark Rothko (Markus Rothko¹) was born in Russia. From an evidently Jewish family, he emigrated to Oregon in 1910, probably fleeing the antisemitism that drove so many minds away.
He studied art in the 1920s, but considered himself self-taught. Before World War II he cultivated expressionist figuration and absorbed the spirit of the vanguards he saw in exhibitions organized by the MoMA.
After the war he began to investigate color field painting, gradually abandoning all figurative references, and in the 1950s, with abstract expressionism already established, he began the personal abstraction that would define his painting ever since.
Rothko's works, enormous, show wide rectangular fields of color with undefined boundaries between them. They are blurred colors, floating suspended on the canvas, stimulating quite fascinating mystical sensations.
From there, Mark Rothko would become an institution of American art. Protected by Peggy Guggenheim, his successes would be notable. But by the late 1960s, amid a depressive crisis, and after painting his series of works with black acrylic, he would end up taking his own life.
